Love and Anxiety in the Early Postmodern World of Margaret Atwood’s Dancing Girls

This article analyses Margaret Atwood’s 1977 short story collection, Dancing Girls, looking at the evolution of forms of anxiety in the different texts, shifting as they do from individual, or self-directed anxiety, to more community-minded, altruistic forms. The article offers a close reading of so...

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Main Author: Jennifer MURRAY
Format: Article
Language:English
Published: Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA) 2010-09-01
Series:E-REA
Subjects:
Online Access:https://journals.openedition.org/erea/1302
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author Jennifer MURRAY
author_facet Jennifer MURRAY
author_sort Jennifer MURRAY
collection DOAJ
description This article analyses Margaret Atwood’s 1977 short story collection, Dancing Girls, looking at the evolution of forms of anxiety in the different texts, shifting as they do from individual, or self-directed anxiety, to more community-minded, altruistic forms. The article offers a close reading of some of the individual stories, showing how they contribute to an overall logic related (primarily, but not solely) to male-female relations in the 1960s and 1970s. In spite of the promises of sexual and self liberation of the period, an underlying sense of emptiness, often experienced as impending danger, is perceptible and takes shape within Atwood’s stories as fantasies of violence or victimization, and appears in figures related to gothic imagery and doubleness.
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spelling doaj-art-13e6f1ce98674b45b9b0ad5dbccd2cb32025-01-09T12:53:59ZengLaboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)E-REA1638-17182010-09-018110.4000/erea.1302Love and Anxiety in the Early Postmodern World of Margaret Atwood’s Dancing GirlsJennifer MURRAYThis article analyses Margaret Atwood’s 1977 short story collection, Dancing Girls, looking at the evolution of forms of anxiety in the different texts, shifting as they do from individual, or self-directed anxiety, to more community-minded, altruistic forms. The article offers a close reading of some of the individual stories, showing how they contribute to an overall logic related (primarily, but not solely) to male-female relations in the 1960s and 1970s. In spite of the promises of sexual and self liberation of the period, an underlying sense of emptiness, often experienced as impending danger, is perceptible and takes shape within Atwood’s stories as fantasies of violence or victimization, and appears in figures related to gothic imagery and doubleness.https://journals.openedition.org/erea/1302violenceMargaret AtwoodDancing Girlsanxietypostmodernshort story language
spellingShingle Jennifer MURRAY
Love and Anxiety in the Early Postmodern World of Margaret Atwood’s Dancing Girls
E-REA
violence
Margaret Atwood
Dancing Girls
anxiety
postmodern
short story language
title Love and Anxiety in the Early Postmodern World of Margaret Atwood’s Dancing Girls
title_full Love and Anxiety in the Early Postmodern World of Margaret Atwood’s Dancing Girls
title_fullStr Love and Anxiety in the Early Postmodern World of Margaret Atwood’s Dancing Girls
title_full_unstemmed Love and Anxiety in the Early Postmodern World of Margaret Atwood’s Dancing Girls
title_short Love and Anxiety in the Early Postmodern World of Margaret Atwood’s Dancing Girls
title_sort love and anxiety in the early postmodern world of margaret atwood s dancing girls
topic violence
Margaret Atwood
Dancing Girls
anxiety
postmodern
short story language
url https://journals.openedition.org/erea/1302
work_keys_str_mv AT jennifermurray loveandanxietyintheearlypostmodernworldofmargaretatwoodsdancinggirls