Kino Wolność (1990–2009)
The article deals with Polish cinema after the year 1989. Starting with the characteristics of Polish cinema before the period of transformations, the author continues with an analysis of the new cinema to distinguish four currents: “works of mourning” encompassing films which were meant as settling...
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| Format: | Article |
| Language: | ces |
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University of Silesia Press
2020-12-01
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| Series: | Postscriptum Polonistyczne |
| Online Access: | https://www.journals.us.edu.pl/index.php/PPol/article/view/11057 |
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| _version_ | 1850196175014068224 |
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| author | Tadeusz Lubelski |
| author_facet | Tadeusz Lubelski |
| author_sort | Tadeusz Lubelski |
| collection | DOAJ |
| description | The article deals with Polish cinema after the year 1989. Starting with the characteristics of Polish cinema before the period of transformations, the author continues with an analysis of the new cinema to distinguish four currents: “works of mourning” encompassing films which were meant as settling accounts or reconciliation with World War II and communism; “cinema of testimony” with special interest in films by Marcel Łoziński, but also mentioning others such as Kazimierz Karabasz and Jacek Blawut; “filmmakers young and old” based on three strategies of authorship, namely those of a fabulator (e.g. Krzysztof Kieślowski), a mythbiographer (e.g. Andrzej Kondratiuk, Marek Koterski and Marcin Koszałka), and an artist (e.g. Andrzej Barański, Dorota Kędzierzawska and Lech J. Majewski); and “popular cinema” with its four basic genres: action cinema, comedy, literary adaptation and romantic comedy. |
| format | Article |
| id | doaj-art-13b1a92e05ba4e4f98bacd95fd1e7417 |
| institution | OA Journals |
| issn | 1898-1593 2353-9844 |
| language | ces |
| publishDate | 2020-12-01 |
| publisher | University of Silesia Press |
| record_format | Article |
| series | Postscriptum Polonistyczne |
| spelling | doaj-art-13b1a92e05ba4e4f98bacd95fd1e74172025-08-20T02:13:32ZcesUniversity of Silesia PressPostscriptum Polonistyczne1898-15932353-98442020-12-0151Kino Wolność (1990–2009)Tadeusz Lubelski0historyk i krytyk filmu. Profesor zwyczajny, od 2008 dyrektor Instytutu Sztuk Audiowizualnych Uniwersytetu Jagiellońskiego, w latach 1994–2006 był zastępcą naczelnego redaktora miesięcznika „Kino”.The article deals with Polish cinema after the year 1989. Starting with the characteristics of Polish cinema before the period of transformations, the author continues with an analysis of the new cinema to distinguish four currents: “works of mourning” encompassing films which were meant as settling accounts or reconciliation with World War II and communism; “cinema of testimony” with special interest in films by Marcel Łoziński, but also mentioning others such as Kazimierz Karabasz and Jacek Blawut; “filmmakers young and old” based on three strategies of authorship, namely those of a fabulator (e.g. Krzysztof Kieślowski), a mythbiographer (e.g. Andrzej Kondratiuk, Marek Koterski and Marcin Koszałka), and an artist (e.g. Andrzej Barański, Dorota Kędzierzawska and Lech J. Majewski); and “popular cinema” with its four basic genres: action cinema, comedy, literary adaptation and romantic comedy.https://www.journals.us.edu.pl/index.php/PPol/article/view/11057 |
| spellingShingle | Tadeusz Lubelski Kino Wolność (1990–2009) Postscriptum Polonistyczne |
| title | Kino Wolność (1990–2009) |
| title_full | Kino Wolność (1990–2009) |
| title_fullStr | Kino Wolność (1990–2009) |
| title_full_unstemmed | Kino Wolność (1990–2009) |
| title_short | Kino Wolność (1990–2009) |
| title_sort | kino wolnosc 1990 2009 |
| url | https://www.journals.us.edu.pl/index.php/PPol/article/view/11057 |
| work_keys_str_mv | AT tadeuszlubelski kinowolnosc19902009 |