Une nouvelle tradition : la céramique algéroise à l’aube du xxe siècle

Towards the end of the nineteenth century, ceramicists in Algiers began producing tile in a historicist style derived from neo-Moorish architecture and from the renovations of the grand Ottoman dwellings on the outskirts of Algiers. The style is strongly tied to Algiers collectors, architects, busin...

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Main Author: Clara Ilham Álvarez Dopico
Format: Article
Language:deu
Published: Institut National d'Histoire de l'Art 2018-10-01
Series:ABE Journal
Subjects:
Online Access:https://journals.openedition.org/abe/4333
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author Clara Ilham Álvarez Dopico
author_facet Clara Ilham Álvarez Dopico
author_sort Clara Ilham Álvarez Dopico
collection DOAJ
description Towards the end of the nineteenth century, ceramicists in Algiers began producing tile in a historicist style derived from neo-Moorish architecture and from the renovations of the grand Ottoman dwellings on the outskirts of Algiers. The style is strongly tied to Algiers collectors, architects, businessmen, and historians. Claiming to revive a tradition, they promoted a new craft industry, which flourished. This article presents a brief experiment in renovating or creating Algerian craftsmanship at the Mustapha museum of arts and antiquities, with a ceramics studio that operated 1899-1901, directed by curator Georges Marye and writer Émile Violard.
format Article
id doaj-art-12f83d63c4ab47d8aad8e84d4b9e753a
institution DOAJ
issn 2275-6639
language deu
publishDate 2018-10-01
publisher Institut National d'Histoire de l'Art
record_format Article
series ABE Journal
spelling doaj-art-12f83d63c4ab47d8aad8e84d4b9e753a2025-08-20T03:15:39ZdeuInstitut National d'Histoire de l'ArtABE Journal2275-66392018-10-011310.4000/abe.4333Une nouvelle tradition : la céramique algéroise à l’aube du xxe siècleClara Ilham Álvarez DopicoTowards the end of the nineteenth century, ceramicists in Algiers began producing tile in a historicist style derived from neo-Moorish architecture and from the renovations of the grand Ottoman dwellings on the outskirts of Algiers. The style is strongly tied to Algiers collectors, architects, businessmen, and historians. Claiming to revive a tradition, they promoted a new craft industry, which flourished. This article presents a brief experiment in renovating or creating Algerian craftsmanship at the Mustapha museum of arts and antiquities, with a ceramics studio that operated 1899-1901, directed by curator Georges Marye and writer Émile Violard.https://journals.openedition.org/abe/4333orientalismceramic artMoorish Revival architectureIslamic artart collectorsceramists
spellingShingle Clara Ilham Álvarez Dopico
Une nouvelle tradition : la céramique algéroise à l’aube du xxe siècle
ABE Journal
orientalism
ceramic art
Moorish Revival architecture
Islamic art
art collectors
ceramists
title Une nouvelle tradition : la céramique algéroise à l’aube du xxe siècle
title_full Une nouvelle tradition : la céramique algéroise à l’aube du xxe siècle
title_fullStr Une nouvelle tradition : la céramique algéroise à l’aube du xxe siècle
title_full_unstemmed Une nouvelle tradition : la céramique algéroise à l’aube du xxe siècle
title_short Une nouvelle tradition : la céramique algéroise à l’aube du xxe siècle
title_sort une nouvelle tradition la ceramique algeroise a l aube du xxe siecle
topic orientalism
ceramic art
Moorish Revival architecture
Islamic art
art collectors
ceramists
url https://journals.openedition.org/abe/4333
work_keys_str_mv AT clarailhamalvarezdopico unenouvelletraditionlaceramiquealgeroisealaubeduxxesiecle