Une nouvelle tradition : la céramique algéroise à l’aube du xxe siècle
Towards the end of the nineteenth century, ceramicists in Algiers began producing tile in a historicist style derived from neo-Moorish architecture and from the renovations of the grand Ottoman dwellings on the outskirts of Algiers. The style is strongly tied to Algiers collectors, architects, busin...
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| Format: | Article |
| Language: | deu |
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Institut National d'Histoire de l'Art
2018-10-01
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| Series: | ABE Journal |
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| Online Access: | https://journals.openedition.org/abe/4333 |
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| _version_ | 1849708426790174720 |
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| author | Clara Ilham Álvarez Dopico |
| author_facet | Clara Ilham Álvarez Dopico |
| author_sort | Clara Ilham Álvarez Dopico |
| collection | DOAJ |
| description | Towards the end of the nineteenth century, ceramicists in Algiers began producing tile in a historicist style derived from neo-Moorish architecture and from the renovations of the grand Ottoman dwellings on the outskirts of Algiers. The style is strongly tied to Algiers collectors, architects, businessmen, and historians. Claiming to revive a tradition, they promoted a new craft industry, which flourished. This article presents a brief experiment in renovating or creating Algerian craftsmanship at the Mustapha museum of arts and antiquities, with a ceramics studio that operated 1899-1901, directed by curator Georges Marye and writer Émile Violard. |
| format | Article |
| id | doaj-art-12f83d63c4ab47d8aad8e84d4b9e753a |
| institution | DOAJ |
| issn | 2275-6639 |
| language | deu |
| publishDate | 2018-10-01 |
| publisher | Institut National d'Histoire de l'Art |
| record_format | Article |
| series | ABE Journal |
| spelling | doaj-art-12f83d63c4ab47d8aad8e84d4b9e753a2025-08-20T03:15:39ZdeuInstitut National d'Histoire de l'ArtABE Journal2275-66392018-10-011310.4000/abe.4333Une nouvelle tradition : la céramique algéroise à l’aube du xxe siècleClara Ilham Álvarez DopicoTowards the end of the nineteenth century, ceramicists in Algiers began producing tile in a historicist style derived from neo-Moorish architecture and from the renovations of the grand Ottoman dwellings on the outskirts of Algiers. The style is strongly tied to Algiers collectors, architects, businessmen, and historians. Claiming to revive a tradition, they promoted a new craft industry, which flourished. This article presents a brief experiment in renovating or creating Algerian craftsmanship at the Mustapha museum of arts and antiquities, with a ceramics studio that operated 1899-1901, directed by curator Georges Marye and writer Émile Violard.https://journals.openedition.org/abe/4333orientalismceramic artMoorish Revival architectureIslamic artart collectorsceramists |
| spellingShingle | Clara Ilham Álvarez Dopico Une nouvelle tradition : la céramique algéroise à l’aube du xxe siècle ABE Journal orientalism ceramic art Moorish Revival architecture Islamic art art collectors ceramists |
| title | Une nouvelle tradition : la céramique algéroise à l’aube du xxe siècle |
| title_full | Une nouvelle tradition : la céramique algéroise à l’aube du xxe siècle |
| title_fullStr | Une nouvelle tradition : la céramique algéroise à l’aube du xxe siècle |
| title_full_unstemmed | Une nouvelle tradition : la céramique algéroise à l’aube du xxe siècle |
| title_short | Une nouvelle tradition : la céramique algéroise à l’aube du xxe siècle |
| title_sort | une nouvelle tradition la ceramique algeroise a l aube du xxe siecle |
| topic | orientalism ceramic art Moorish Revival architecture Islamic art art collectors ceramists |
| url | https://journals.openedition.org/abe/4333 |
| work_keys_str_mv | AT clarailhamalvarezdopico unenouvelletraditionlaceramiquealgeroisealaubeduxxesiecle |