De la performance à la reconnaissance
Chelsea (Bradley) Manning’s trans identity stems from a gender production that can only partially be explained by the performance analytics underpinning the dramaturgical theories of Judith Butler and Harold Garfinkel. Manning’s particular relationship with visibility as a public figure predicates t...
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| Format: | Article |
| Language: | fra |
| Published: |
Université Laval
2018-02-01
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| Series: | Communication |
| Subjects: | |
| Online Access: | https://journals.openedition.org/communication/7595 |
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| _version_ | 1850170697786064896 |
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| author | Fabienne Malbois |
| author_facet | Fabienne Malbois |
| author_sort | Fabienne Malbois |
| collection | DOAJ |
| description | Chelsea (Bradley) Manning’s trans identity stems from a gender production that can only partially be explained by the performance analytics underpinning the dramaturgical theories of Judith Butler and Harold Garfinkel. Manning’s particular relationship with visibility as a public figure predicates the need for a recognition analytics anchored in Paul Ricœur’s capacitating phenomenology. Examination of three significant events in Chelsea (Bradley) Manning’s life in the Anglo-Saxon public sphere provides an opportunity to observe different modalities of recognition and discuss the assumptions that underlie the theories of Butler and Garfinkel. |
| format | Article |
| id | doaj-art-12f5c6fb36c74700a25c14a461a102ad |
| institution | OA Journals |
| issn | 1189-3788 1920-7344 |
| language | fra |
| publishDate | 2018-02-01 |
| publisher | Université Laval |
| record_format | Article |
| series | Communication |
| spelling | doaj-art-12f5c6fb36c74700a25c14a461a102ad2025-08-20T02:20:26ZfraUniversité LavalCommunication1189-37881920-73442018-02-0135110.4000/communication.7595De la performance à la reconnaissanceFabienne MalboisChelsea (Bradley) Manning’s trans identity stems from a gender production that can only partially be explained by the performance analytics underpinning the dramaturgical theories of Judith Butler and Harold Garfinkel. Manning’s particular relationship with visibility as a public figure predicates the need for a recognition analytics anchored in Paul Ricœur’s capacitating phenomenology. Examination of three significant events in Chelsea (Bradley) Manning’s life in the Anglo-Saxon public sphere provides an opportunity to observe different modalities of recognition and discuss the assumptions that underlie the theories of Butler and Garfinkel.https://journals.openedition.org/communication/7595public figurerecognitionChelsea Manning.trans identitygender production |
| spellingShingle | Fabienne Malbois De la performance à la reconnaissance Communication public figure recognition Chelsea Manning.trans identity gender production |
| title | De la performance à la reconnaissance |
| title_full | De la performance à la reconnaissance |
| title_fullStr | De la performance à la reconnaissance |
| title_full_unstemmed | De la performance à la reconnaissance |
| title_short | De la performance à la reconnaissance |
| title_sort | de la performance a la reconnaissance |
| topic | public figure recognition Chelsea Manning.trans identity gender production |
| url | https://journals.openedition.org/communication/7595 |
| work_keys_str_mv | AT fabiennemalbois delaperformancealareconnaissance |