From Bernstein to Bhatkhande: (Indian and Other) Music as the Universal Language
Exciting dialogues are taking place these days, between scholars and practitioners of a variety of world music idioms. Such cross-idiomatic projects also raise the possibility that the old cliché about music being the “universal language” is becoming relevant again, after several decades of cultural...
Saved in:
| Main Author: | Somangshu Mukherji |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Analytical Approaches to World Music
2023-06-01
|
| Series: | Analytical Approaches to World Music |
| Subjects: | |
| Online Access: | https://journal.iftawm.org/wp-content/uploads/2023/08/Mukherji_AAWM_Vol_11_1.pdf |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Recent Developments Coordinating Melody and Harmony
by: Robert Morris
Published: (2023-06-01) -
Pedagogical strategies for the development of improvisation and composition in North Indian classical music
by: Emily Sayers
Published: (2025-06-01) -
The Fading Culture of Anglo Indians: A Case Study on Jazz Music in Calcutta
by: Shireen Sardar
Published: (2024-01-01) -
Rāgs of Western India and Sindh
by: Peter Manuel, et al.
Published: (2022-12-01) -
The Emergence of the Category of Turkish Classical Music and Rauf Yekta:Turkish Classical Music Versus Other Musics
by: Onur Güneş Ayas
Published: (2024-07-01)