Expérimenter et documenter le live sur les plateformes : les pratiques des fans du groupe Indochine
Based on an ethnosemiotic study of two concerts broadcast in livestream in 2019 and 2020 by the Indochine music band, we observe how fans express themselves about live performances and how they document them on Twitter and Instagram. Through the analysis of their publications and comments, we study...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Université du Québec à Montréal
|
| Series: | Communiquer |
| Subjects: | |
| Online Access: | https://journals.openedition.org/communiquer/10176 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1841543291501281280 |
|---|---|
| author | Laure Bolka-Tabary |
| author_facet | Laure Bolka-Tabary |
| author_sort | Laure Bolka-Tabary |
| collection | DOAJ |
| description | Based on an ethnosemiotic study of two concerts broadcast in livestream in 2019 and 2020 by the Indochine music band, we observe how fans express themselves about live performances and how they document them on Twitter and Instagram. Through the analysis of their publications and comments, we study which images of these concerts are published, “redocumentarized”, and what meaning and emotions are carried in these publications. The two platforms are places for sharing opinions and emotions. They show that the live experience is lived by anticipation and by extension, and that logics of collection coexist with self-visibility and promotion of the beloved artists. |
| format | Article |
| id | doaj-art-12850692ec00428faec55eaf11362288 |
| institution | Kabale University |
| issn | 2368-9587 |
| language | English |
| publisher | Université du Québec à Montréal |
| record_format | Article |
| series | Communiquer |
| spelling | doaj-art-12850692ec00428faec55eaf113622882025-01-13T13:44:23ZengUniversité du Québec à MontréalCommuniquer2368-958735395910.4000/communiquer.10176Expérimenter et documenter le live sur les plateformes : les pratiques des fans du groupe IndochineLaure Bolka-TabaryBased on an ethnosemiotic study of two concerts broadcast in livestream in 2019 and 2020 by the Indochine music band, we observe how fans express themselves about live performances and how they document them on Twitter and Instagram. Through the analysis of their publications and comments, we study which images of these concerts are published, “redocumentarized”, and what meaning and emotions are carried in these publications. The two platforms are places for sharing opinions and emotions. They show that the live experience is lived by anticipation and by extension, and that logics of collection coexist with self-visibility and promotion of the beloved artists.https://journals.openedition.org/communiquer/10176ethnographydigital practicesliveplatformslive musicpopular music |
| spellingShingle | Laure Bolka-Tabary Expérimenter et documenter le live sur les plateformes : les pratiques des fans du groupe Indochine Communiquer ethnography digital practices live platforms live music popular music |
| title | Expérimenter et documenter le live sur les plateformes : les pratiques des fans du groupe Indochine |
| title_full | Expérimenter et documenter le live sur les plateformes : les pratiques des fans du groupe Indochine |
| title_fullStr | Expérimenter et documenter le live sur les plateformes : les pratiques des fans du groupe Indochine |
| title_full_unstemmed | Expérimenter et documenter le live sur les plateformes : les pratiques des fans du groupe Indochine |
| title_short | Expérimenter et documenter le live sur les plateformes : les pratiques des fans du groupe Indochine |
| title_sort | experimenter et documenter le live sur les plateformes les pratiques des fans du groupe indochine |
| topic | ethnography digital practices live platforms live music popular music |
| url | https://journals.openedition.org/communiquer/10176 |
| work_keys_str_mv | AT laurebolkatabary experimenteretdocumenterlelivesurlesplateformeslespratiquesdesfansdugroupeindochine |