Quand le film raconte l’image. Variations cinématographiques autour de La Cène de Léonard de Vinci
Based on the hypothesis that in the cinema, a shot worked in the style of a picture doesn’t “stop” the storyline but expands the linear narrative with tabular semiotics and artistic references, this article analyzes the exemplary and recurring case of the shots which reconstitute Leonardo da Vinci’s...
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| Format: | Article |
| Language: | fra |
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Laboratoire Interdisciplinaire Récits Cultures Et Sociétés
2009-05-01
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| Series: | Cahiers de Narratologie |
| Subjects: | |
| Online Access: | https://journals.openedition.org/narratologie/956 |
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