On the reception of a literary work

The article is an attempt to answer the question: what happens to a literary work – understood as Ingarden’s purely intentional objects – from the recipient’s perspective? And also: how do the images of objects arise in the minds of the audience and what are their properties? Transferring purely int...

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Main Author: Jacek Wachowski
Format: Article
Language:Polish
Published: Adam Mickiewicz University 2018-05-01
Series:Przestrzenie Teorii
Subjects:
Online Access:https://pressto.amu.edu.pl/index.php/pt/article/view/12617
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author Jacek Wachowski
author_facet Jacek Wachowski
author_sort Jacek Wachowski
collection DOAJ
description The article is an attempt to answer the question: what happens to a literary work – understood as Ingarden’s purely intentional objects – from the recipient’s perspective? And also: how do the images of objects arise in the minds of the audience and what are their properties? Transferring purely intentional objects to the recipient’s perspective changes their status: mental images of objects are subject to numerous fluctuations (based on emotions and cognitive processes). In this way they are transformed into forms that are non-permanent reflections of objects belonging to a literary work. Referring to Ingarden’s terminology, one might say that they become purely intentional reflections (or reflections of purely intentional objects). The article is an attempt to characterize and stratify them.
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series Przestrzenie Teorii
spelling doaj-art-11b275f7de0b46a2b9b4ece666a820f32025-08-20T02:11:18ZpolAdam Mickiewicz UniversityPrzestrzenie Teorii1644-67632450-57652018-05-0102810.14746/pt.2017.28.312040On the reception of a literary workJacek Wachowski0Uniwersytet im. Adama Mickiewicza w PoznaniuThe article is an attempt to answer the question: what happens to a literary work – understood as Ingarden’s purely intentional objects – from the recipient’s perspective? And also: how do the images of objects arise in the minds of the audience and what are their properties? Transferring purely intentional objects to the recipient’s perspective changes their status: mental images of objects are subject to numerous fluctuations (based on emotions and cognitive processes). In this way they are transformed into forms that are non-permanent reflections of objects belonging to a literary work. Referring to Ingarden’s terminology, one might say that they become purely intentional reflections (or reflections of purely intentional objects). The article is an attempt to characterize and stratify them.https://pressto.amu.edu.pl/index.php/pt/article/view/12617reception of literary worksintentional actsIngardenliterary theoryphilosophy
spellingShingle Jacek Wachowski
On the reception of a literary work
Przestrzenie Teorii
reception of literary works
intentional acts
Ingarden
literary theory
philosophy
title On the reception of a literary work
title_full On the reception of a literary work
title_fullStr On the reception of a literary work
title_full_unstemmed On the reception of a literary work
title_short On the reception of a literary work
title_sort on the reception of a literary work
topic reception of literary works
intentional acts
Ingarden
literary theory
philosophy
url https://pressto.amu.edu.pl/index.php/pt/article/view/12617
work_keys_str_mv AT jacekwachowski onthereceptionofaliterarywork