Modern Painters: Dickens and Cézanne
The article compares the ways of looking in Dickens’ novels and in Cézanne’s art, drawing on the work of Merleau-Ponty for commentary on Cézanne, and on the commentaries on Merleau-Ponty by Lacan. It investigates the way in which Dickens, not often considered as having a visual interest, is modern i...
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| Format: | Article |
| Language: | English |
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Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)
2016-06-01
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| Series: | E-REA |
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| Online Access: | https://journals.openedition.org/erea/4903 |
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| _version_ | 1841552530326159360 |
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| author | Jeremy TAMBLING |
| author_facet | Jeremy TAMBLING |
| author_sort | Jeremy TAMBLING |
| collection | DOAJ |
| description | The article compares the ways of looking in Dickens’ novels and in Cézanne’s art, drawing on the work of Merleau-Ponty for commentary on Cézanne, and on the commentaries on Merleau-Ponty by Lacan. It investigates the way in which Dickens, not often considered as having a visual interest, is modern in modes of perception, and tries to illuminate Merleau-Ponty’s sense of embodiment, as seen in Cézanne, through illustrations and examples drawn from Dickens. |
| format | Article |
| id | doaj-art-117ff38797b04958b0f488c5cf1d7dd2 |
| institution | Kabale University |
| issn | 1638-1718 |
| language | English |
| publishDate | 2016-06-01 |
| publisher | Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA) |
| record_format | Article |
| series | E-REA |
| spelling | doaj-art-117ff38797b04958b0f488c5cf1d7dd22025-01-09T12:54:53ZengLaboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)E-REA1638-17182016-06-0113210.4000/erea.4903Modern Painters: Dickens and CézanneJeremy TAMBLINGThe article compares the ways of looking in Dickens’ novels and in Cézanne’s art, drawing on the work of Merleau-Ponty for commentary on Cézanne, and on the commentaries on Merleau-Ponty by Lacan. It investigates the way in which Dickens, not often considered as having a visual interest, is modern in modes of perception, and tries to illuminate Merleau-Ponty’s sense of embodiment, as seen in Cézanne, through illustrations and examples drawn from Dickens.https://journals.openedition.org/erea/4903landscapestainvisibilitydeliriumdistancetrompe-l’œil |
| spellingShingle | Jeremy TAMBLING Modern Painters: Dickens and Cézanne E-REA landscape stain visibility delirium distance trompe-l’œil |
| title | Modern Painters: Dickens and Cézanne |
| title_full | Modern Painters: Dickens and Cézanne |
| title_fullStr | Modern Painters: Dickens and Cézanne |
| title_full_unstemmed | Modern Painters: Dickens and Cézanne |
| title_short | Modern Painters: Dickens and Cézanne |
| title_sort | modern painters dickens and cezanne |
| topic | landscape stain visibility delirium distance trompe-l’œil |
| url | https://journals.openedition.org/erea/4903 |
| work_keys_str_mv | AT jeremytambling modernpaintersdickensandcezanne |