Tver in the Novel Demons

Until now, there have been no systematic attempts to analyze the topographic objects in the novel Demons and compare them with the real locations in 19th-century Tver, despite Tver having been established as the prototype for “our hitherto absolutely not remarkable city.” This research aims to fill...

Full description

Saved in:
Bibliographic Details
Main Author: Natalia S. Lebedeva
Format: Article
Language:English
Published: Russian Academy of Sciences. A.M. Gorky Institute of World Literature 2025-06-01
Series:Достоевский и мировая культура: Филологический журнал
Subjects:
Online Access:https://dostmirkult.ru/images/2025-2/06_Lebedeva_193-221.pdf
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1849705444942020608
author Natalia S. Lebedeva
author_facet Natalia S. Lebedeva
author_sort Natalia S. Lebedeva
collection DOAJ
description Until now, there have been no systematic attempts to analyze the topographic objects in the novel Demons and compare them with the real locations in 19th-century Tver, despite Tver having been established as the prototype for “our hitherto absolutely not remarkable city.” This research aims to fill that gap. Specifically, it demonstrates that: the estate Tryokhsvyatskoe, belonging to the archbishop of Tver, served as the prototype for the suburban mansion Skvoreshniki; the clergy house of the Spaso-Preobrazhensky Sobor inspired Varvara Petrovna’s townhouse; the Tver Imperial Palace corresponds to the house of the marshal of nobility’s wife; the Otroch Monastery became the Spaso-Efimyevsky Monastery; the Church of Simeon Stolpnik matches the Church of Rozhdestva Bogoroditsy; and Barsukov’s hotel was the model for the town hotel. The study also presents new evidence supporting the claims of S.A. Zhoglichev and V.V. Zhoglicheva that the Galiani Hotel served as the prototype for Filippov’s house. By comparing the topography of 19th-century Tver with that of Demons, we can determine the approximate real-world locations (within one street or quarter) of fictional places lacking direct prototype, such as the houses of Lebyadkin, Virginsky, and Erkel, as well as the burned-down quarters of Zarechje. Comparing the topographic objects of Demons to the realia of Tver, we can see that Dostoevsky constructs a realistic urban space in which characters follow routes typical for Tver’s 19th-century residents, with travel times corresponding to reality. Additionally, certain key locations are deliberately placed at the city’s boundaries to frame its spatial structure. The novel intentionally and thoroughly accentuates Tver’s precise traits. For this reason, the provincial city in Demons cannot be seen as a collective image.
format Article
id doaj-art-10f5f50563344ac0aabe010fcbf2299f
institution DOAJ
issn 2619-0311
2712-8512
language English
publishDate 2025-06-01
publisher Russian Academy of Sciences. A.M. Gorky Institute of World Literature
record_format Article
series Достоевский и мировая культура: Филологический журнал
spelling doaj-art-10f5f50563344ac0aabe010fcbf2299f2025-08-20T03:16:28ZengRussian Academy of Sciences. A.M. Gorky Institute of World LiteratureДостоевский и мировая культура: Филологический журнал2619-03112712-85122025-06-0119322110.22455/2619-0311-2025-2-193-221Tver in the Novel DemonsNatalia S. LebedevaUntil now, there have been no systematic attempts to analyze the topographic objects in the novel Demons and compare them with the real locations in 19th-century Tver, despite Tver having been established as the prototype for “our hitherto absolutely not remarkable city.” This research aims to fill that gap. Specifically, it demonstrates that: the estate Tryokhsvyatskoe, belonging to the archbishop of Tver, served as the prototype for the suburban mansion Skvoreshniki; the clergy house of the Spaso-Preobrazhensky Sobor inspired Varvara Petrovna’s townhouse; the Tver Imperial Palace corresponds to the house of the marshal of nobility’s wife; the Otroch Monastery became the Spaso-Efimyevsky Monastery; the Church of Simeon Stolpnik matches the Church of Rozhdestva Bogoroditsy; and Barsukov’s hotel was the model for the town hotel. The study also presents new evidence supporting the claims of S.A. Zhoglichev and V.V. Zhoglicheva that the Galiani Hotel served as the prototype for Filippov’s house. By comparing the topography of 19th-century Tver with that of Demons, we can determine the approximate real-world locations (within one street or quarter) of fictional places lacking direct prototype, such as the houses of Lebyadkin, Virginsky, and Erkel, as well as the burned-down quarters of Zarechje. Comparing the topographic objects of Demons to the realia of Tver, we can see that Dostoevsky constructs a realistic urban space in which characters follow routes typical for Tver’s 19th-century residents, with travel times corresponding to reality. Additionally, certain key locations are deliberately placed at the city’s boundaries to frame its spatial structure. The novel intentionally and thoroughly accentuates Tver’s precise traits. For this reason, the provincial city in Demons cannot be seen as a collective image.https://dostmirkult.ru/images/2025-2/06_Lebedeva_193-221.pdfdostoevskydemonstopographytverfilippov’s houseskvoreshnikihouse of the marshal of nobility’s wifespaso-efimyevsky monasterylebyadkin’s housevirginsky’s house
spellingShingle Natalia S. Lebedeva
Tver in the Novel Demons
Достоевский и мировая культура: Филологический журнал
dostoevsky
demons
topography
tver
filippov’s house
skvoreshniki
house of the marshal of nobility’s wife
spaso-efimyevsky monastery
lebyadkin’s house
virginsky’s house
title Tver in the Novel Demons
title_full Tver in the Novel Demons
title_fullStr Tver in the Novel Demons
title_full_unstemmed Tver in the Novel Demons
title_short Tver in the Novel Demons
title_sort tver in the novel demons
topic dostoevsky
demons
topography
tver
filippov’s house
skvoreshniki
house of the marshal of nobility’s wife
spaso-efimyevsky monastery
lebyadkin’s house
virginsky’s house
url https://dostmirkult.ru/images/2025-2/06_Lebedeva_193-221.pdf
work_keys_str_mv AT nataliaslebedeva tverinthenoveldemons