Introduction
RISE 4.1 examines the complex interplay between Irish and European culture via the Dublin Gate Theatre from its founding in 1928 to the present day. The issue explores Irish presentations of European work and Irish theatre that connects variously with Europe. But it also shows how the Gate'...
Saved in:
| Main Authors: | Siobhán O’Gorman, Elaine Sisson, Ian R. Walsh |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
European Federation of Associations and Centres of Irish Studies
2021-06-01
|
| Series: | Review of Irish Studies in Europe |
| Online Access: | https://www.imageandnarrative.be/index.php/rise/article/view/2703 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Remembering Molly MacEwen: Sue Harries and Alasdair MacEwen in Conversation
by: Siobhán O'Gorman
Published: (2021-06-01) -
‘No comfort talking when there’s a man around’: Maura Laverty’s Tolka Row (1951) and a neglected tradition of popular drama at the Gate Theatre, Dublin
by: Finian O'Gorman
Published: (2021-06-01) -
“It’s the Only World We’ve Got.” Children’s Responses to Chris Jordan’s Images about SDG 14: Life Below Water
by: Lyndal O’Gorman
Published: (2024-08-01) -
Revisiting the Pharmakon
by: Marcel O'Gorman
Published: (2022-12-01) -
Fostering responsible innovation with critical design methods
by: Alexi Orchard, et al.
Published: (2024-12-01)