Introduction
RISE 4.1 examines the complex interplay between Irish and European culture via the Dublin Gate Theatre from its founding in 1928 to the present day. The issue explores Irish presentations of European work and Irish theatre that connects variously with Europe. But it also shows how the Gate'...
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| Format: | Article |
| Language: | English |
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European Federation of Associations and Centres of Irish Studies
2021-06-01
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| Series: | Review of Irish Studies in Europe |
| Online Access: | https://www.imageandnarrative.be/index.php/rise/article/view/2703 |
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| author | Siobhán O’Gorman Elaine Sisson Ian R. Walsh |
| author_facet | Siobhán O’Gorman Elaine Sisson Ian R. Walsh |
| author_sort | Siobhán O’Gorman |
| collection | DOAJ |
| description |
RISE 4.1 examines the complex interplay between Irish and European culture via the Dublin Gate Theatre from its founding in 1928 to the present day. The issue explores Irish presentations of European work and Irish theatre that connects variously with Europe. But it also shows how the Gate's prioritisation of excellence in directing, design, and adaptation positions the Gate within wider networks of European artistic exchange. The articles in this issue question how such exchange in its diversity of thought and practice has allowed for greater inclusivity of marginalised groups but has also led to elitism and exclusion.
Keywords: Dublin Gate Theatre, Irish Theatre, European Culture, European Stagecraft
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| format | Article |
| id | doaj-art-105caa4b4c6d48b5bcd1a6c80971012e |
| institution | OA Journals |
| issn | 2398-7685 |
| language | English |
| publishDate | 2021-06-01 |
| publisher | European Federation of Associations and Centres of Irish Studies |
| record_format | Article |
| series | Review of Irish Studies in Europe |
| spelling | doaj-art-105caa4b4c6d48b5bcd1a6c80971012e2025-08-20T02:32:30ZengEuropean Federation of Associations and Centres of Irish StudiesReview of Irish Studies in Europe2398-76852021-06-0141IntroductionSiobhán O’Gorman0Elaine Sisson1Ian R. Walsh2University of LincolnThe Institute of Art, Design and Technology, Dun LaoghaireNUI Galway RISE 4.1 examines the complex interplay between Irish and European culture via the Dublin Gate Theatre from its founding in 1928 to the present day. The issue explores Irish presentations of European work and Irish theatre that connects variously with Europe. But it also shows how the Gate's prioritisation of excellence in directing, design, and adaptation positions the Gate within wider networks of European artistic exchange. The articles in this issue question how such exchange in its diversity of thought and practice has allowed for greater inclusivity of marginalised groups but has also led to elitism and exclusion. Keywords: Dublin Gate Theatre, Irish Theatre, European Culture, European Stagecraft https://www.imageandnarrative.be/index.php/rise/article/view/2703 |
| spellingShingle | Siobhán O’Gorman Elaine Sisson Ian R. Walsh Introduction Review of Irish Studies in Europe |
| title | Introduction |
| title_full | Introduction |
| title_fullStr | Introduction |
| title_full_unstemmed | Introduction |
| title_short | Introduction |
| title_sort | introduction |
| url | https://www.imageandnarrative.be/index.php/rise/article/view/2703 |
| work_keys_str_mv | AT siobhanogorman introduction AT elainesisson introduction AT ianrwalsh introduction |