Soft Architecture: Walking as an Affective Practice in Lisa Robertson’s “Seven Walks”

Abstract In Lisa Robertson’s “Seven Walks” the speaker and guide do not simply amble through Vancouver’s material space. Their walks are an affective practice that expresses the city in terms of the fluidity of becoming rather than the fluidity of commodity exchange and suggests that the productivi...

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Main Author: Sandra MacPherson
Format: Article
Language:English
Published: Mount Saint Vincent University 2017-12-01
Series:Atlantis
Subjects:
Online Access:https://140.230.24.104/index.php/atlantis/article/view/5318
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author Sandra MacPherson
author_facet Sandra MacPherson
author_sort Sandra MacPherson
collection DOAJ
description Abstract In Lisa Robertson’s “Seven Walks” the speaker and guide do not simply amble through Vancouver’s material space. Their walks are an affective practice that expresses the city in terms of the fluidity of becoming rather than the fluidity of commodity exchange and suggests that the productivity of sexually differentiated walking is distinct from traditional masculinist discourses of the peripatetic as contemplative or simply transgressive. Résumé Dans le livre Seven Walks de Lisa Robertson, la narratrice et la guide ne se contentent pas de déambuler dans l’espace physique de Vancouver. Leurs promenades sont un exercice affectif qui exprime la ville en termes de fluidité du devenir plutôt que de fluidité des échanges commerciaux et suggère que la productivité de la promenade sexuellement différenciée se distingue des discours masculinistes traditionnels du péripatéticien comme contemplatif ou simplement transgressif.
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spelling doaj-art-1013ae7edb934967aaa5e15832c7de6a2025-08-20T02:09:25ZengMount Saint Vincent UniversityAtlantis0702-78181715-06982017-12-01382Soft Architecture: Walking as an Affective Practice in Lisa Robertson’s “Seven Walks”Sandra MacPherson0University of Ottawa Abstract In Lisa Robertson’s “Seven Walks” the speaker and guide do not simply amble through Vancouver’s material space. Their walks are an affective practice that expresses the city in terms of the fluidity of becoming rather than the fluidity of commodity exchange and suggests that the productivity of sexually differentiated walking is distinct from traditional masculinist discourses of the peripatetic as contemplative or simply transgressive. Résumé Dans le livre Seven Walks de Lisa Robertson, la narratrice et la guide ne se contentent pas de déambuler dans l’espace physique de Vancouver. Leurs promenades sont un exercice affectif qui exprime la ville en termes de fluidité du devenir plutôt que de fluidité des échanges commerciaux et suggère que la productivité de la promenade sexuellement différenciée se distingue des discours masculinistes traditionnels du péripatéticien comme contemplatif ou simplement transgressif. https://140.230.24.104/index.php/atlantis/article/view/5318FlaneurGender representationsAffectUrban space
spellingShingle Sandra MacPherson
Soft Architecture: Walking as an Affective Practice in Lisa Robertson’s “Seven Walks”
Atlantis
Flaneur
Gender representations
Affect
Urban space
title Soft Architecture: Walking as an Affective Practice in Lisa Robertson’s “Seven Walks”
title_full Soft Architecture: Walking as an Affective Practice in Lisa Robertson’s “Seven Walks”
title_fullStr Soft Architecture: Walking as an Affective Practice in Lisa Robertson’s “Seven Walks”
title_full_unstemmed Soft Architecture: Walking as an Affective Practice in Lisa Robertson’s “Seven Walks”
title_short Soft Architecture: Walking as an Affective Practice in Lisa Robertson’s “Seven Walks”
title_sort soft architecture walking as an affective practice in lisa robertson s seven walks
topic Flaneur
Gender representations
Affect
Urban space
url https://140.230.24.104/index.php/atlantis/article/view/5318
work_keys_str_mv AT sandramacpherson softarchitecturewalkingasanaffectivepracticeinlisarobertsonssevenwalks