La France et l’architecture internationale à l’Exposition de 1925 perçues par Adolphe Dervaux et ses contemporains
On the occasion of the 1925 exhibition, the architect and town-planner Adolphe Dervaux (1871-1945) published a book entitled L’Architecture étrangère à l’Exposition internationale des arts décoratifs et industriels modernes de Paris, a study devoted to the pavilions built to house the representation...
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| Language: | fra |
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Ministère de la Culture et de la Communication
2025-04-01
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| Series: | In Situ |
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| Online Access: | https://journals.openedition.org/insitu/44295 |
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| author | Esteban Castañer Muñoz |
| author_facet | Esteban Castañer Muñoz |
| author_sort | Esteban Castañer Muñoz |
| collection | DOAJ |
| description | On the occasion of the 1925 exhibition, the architect and town-planner Adolphe Dervaux (1871-1945) published a book entitled L’Architecture étrangère à l’Exposition internationale des arts décoratifs et industriels modernes de Paris, a study devoted to the pavilions built to house the representations of the different foreign countries invited to the event. The collection of photographs and brief texts is apparently of a descriptive nature, but Dervaux is in fact undertaking an exercise in architectural criticism, evaluating the pavilions in terms of the exhibition’s keyword, modernity. This article examines Dervaux’s judgments and sets them against the realities of the strategies and intentions of the different countries concerned. Dervaux’s text is also analysed in the light of the views of other authors belonging to his intellectual milieu, that of a moderate and conciliatory criticism, a far cry from the avant-garde positions of the Modern movement. His descriptions of the foreign pavilions at the exhibition also give us a better appreciation of the architectural culture and issues of the period, in France. They contributed to consolidating the success of Art Deco. |
| format | Article |
| id | doaj-art-10075fe21db14c46999a5e51d7ee47c2 |
| institution | Kabale University |
| issn | 1630-7305 |
| language | fra |
| publishDate | 2025-04-01 |
| publisher | Ministère de la Culture et de la Communication |
| record_format | Article |
| series | In Situ |
| spelling | doaj-art-10075fe21db14c46999a5e51d7ee47c22025-08-20T03:47:37ZfraMinistère de la Culture et de la CommunicationIn Situ1630-73052025-04-015510.4000/13tdqLa France et l’architecture internationale à l’Exposition de 1925 perçues par Adolphe Dervaux et ses contemporainsEsteban Castañer MuñozOn the occasion of the 1925 exhibition, the architect and town-planner Adolphe Dervaux (1871-1945) published a book entitled L’Architecture étrangère à l’Exposition internationale des arts décoratifs et industriels modernes de Paris, a study devoted to the pavilions built to house the representations of the different foreign countries invited to the event. The collection of photographs and brief texts is apparently of a descriptive nature, but Dervaux is in fact undertaking an exercise in architectural criticism, evaluating the pavilions in terms of the exhibition’s keyword, modernity. This article examines Dervaux’s judgments and sets them against the realities of the strategies and intentions of the different countries concerned. Dervaux’s text is also analysed in the light of the views of other authors belonging to his intellectual milieu, that of a moderate and conciliatory criticism, a far cry from the avant-garde positions of the Modern movement. His descriptions of the foreign pavilions at the exhibition also give us a better appreciation of the architectural culture and issues of the period, in France. They contributed to consolidating the success of Art Deco.https://journals.openedition.org/insitu/44295SpainItalyArt DecoGermanyGreecearchitecture (outside France) |
| spellingShingle | Esteban Castañer Muñoz La France et l’architecture internationale à l’Exposition de 1925 perçues par Adolphe Dervaux et ses contemporains In Situ Spain Italy Art Deco Germany Greece architecture (outside France) |
| title | La France et l’architecture internationale à l’Exposition de 1925 perçues par Adolphe Dervaux et ses contemporains |
| title_full | La France et l’architecture internationale à l’Exposition de 1925 perçues par Adolphe Dervaux et ses contemporains |
| title_fullStr | La France et l’architecture internationale à l’Exposition de 1925 perçues par Adolphe Dervaux et ses contemporains |
| title_full_unstemmed | La France et l’architecture internationale à l’Exposition de 1925 perçues par Adolphe Dervaux et ses contemporains |
| title_short | La France et l’architecture internationale à l’Exposition de 1925 perçues par Adolphe Dervaux et ses contemporains |
| title_sort | la france et l architecture internationale a l exposition de 1925 percues par adolphe dervaux et ses contemporains |
| topic | Spain Italy Art Deco Germany Greece architecture (outside France) |
| url | https://journals.openedition.org/insitu/44295 |
| work_keys_str_mv | AT estebancastanermunoz lafranceetlarchitectureinternationalealexpositionde1925percuesparadolphedervauxetsescontemporains |