De la spiritualité franciscaine à une iconographie qui a marqué l’art de Toscane aux XIII-e et XIV-e siècles
The icon of Saint Francis of Assisi has become almost initiatory in the iconography of Tuscany, an area belonging to the chasm of the great culture of the Middle Ages. It is enough to say Florence, Siena, Cortona, Pisa or San Miniato to enter the bright labyrinth of acknowledgement of the Franciscan...
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“George Enescu” National University of Arts of Iași
2019-11-01
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| Series: | Anastasis: Research in Medieval Culture and Art |
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| Online Access: | https://anastasis-review.ro/wp-content/uploads/ARMCA-2019-VI-2-02_Constantin-Necula.pdf |
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| author | Constantin Necula Eugen Răchiteanu |
| author_facet | Constantin Necula Eugen Răchiteanu |
| author_sort | Constantin Necula |
| collection | DOAJ |
| description | The icon of Saint Francis of Assisi has become almost initiatory in the iconography of Tuscany, an area belonging to the chasm of the great culture of the Middle Ages. It is enough to say Florence, Siena, Cortona, Pisa or San Miniato to enter the bright labyrinth of acknowledgement of the Franciscan icon which has universal value.
Being a breviary including masters and places embellished by the Franciscan icon, the present study aims, through a historical and an aesthetic perspective, to restore both Saint Francis’ personality and his entire mystical and ascetic influence on the field of medieval iconography, which sprung from his real presence, during his spiritual layovers that became landmarks of a truly remarkable heritage. It is a joint work of two Christian authors, namely a Catholic and an Orthodox, who work to identify communication paths in the anthropology of the icon and in spiritual aesthetics. |
| format | Article |
| id | doaj-art-0f346c538b6d4eff8af5a0ec2267da0c |
| institution | Kabale University |
| issn | 2392-9472 2392-862X |
| language | deu |
| publishDate | 2019-11-01 |
| publisher | “George Enescu” National University of Arts of Iași |
| record_format | Article |
| series | Anastasis: Research in Medieval Culture and Art |
| spelling | doaj-art-0f346c538b6d4eff8af5a0ec2267da0c2025-08-20T03:34:12Zdeu“George Enescu” National University of Arts of IașiAnastasis: Research in Medieval Culture and Art2392-94722392-862X2019-11-01VI2314810.35218/armca.2019.2.02De la spiritualité franciscaine à une iconographie qui a marqué l’art de Toscane aux XIII-e et XIV-e sièclesConstantin Necula0Eugen Răchiteanu 1Orthodox priest, Associate Professor at the Faculty of Theology “St. Andrei Şaguna” Sibiu, Romania, holder of a PhD in Theology, member of the scientific committee and editorial manager of the rubric „Tra Oriente e Occidente” of „Città di Vita” Journal (Bimestrial of religion and science of the Basilica of Holy Cross in Florence), Florence. Catholic priest, a Franciscan friar from OFM, manager of the Library of the Basilica of the “Holy Cross”, of Città di Vita Journal and Publishing House, holder of a PhD in Art (Florence) and Philosophy (Iași), also a member of the academic teaching staff of the Franciscan Theological Institute in Roman and professor of the Theological Faculty of Central Italy in Florence.The icon of Saint Francis of Assisi has become almost initiatory in the iconography of Tuscany, an area belonging to the chasm of the great culture of the Middle Ages. It is enough to say Florence, Siena, Cortona, Pisa or San Miniato to enter the bright labyrinth of acknowledgement of the Franciscan icon which has universal value. Being a breviary including masters and places embellished by the Franciscan icon, the present study aims, through a historical and an aesthetic perspective, to restore both Saint Francis’ personality and his entire mystical and ascetic influence on the field of medieval iconography, which sprung from his real presence, during his spiritual layovers that became landmarks of a truly remarkable heritage. It is a joint work of two Christian authors, namely a Catholic and an Orthodox, who work to identify communication paths in the anthropology of the icon and in spiritual aesthetics.https://anastasis-review.ro/wp-content/uploads/ARMCA-2019-VI-2-02_Constantin-Necula.pdf: iconologyiconographyaesthetic theologythe ascetic dynamics of the imagethe mystical construction of communication |
| spellingShingle | Constantin Necula Eugen Răchiteanu De la spiritualité franciscaine à une iconographie qui a marqué l’art de Toscane aux XIII-e et XIV-e siècles Anastasis: Research in Medieval Culture and Art : iconology iconography aesthetic theology the ascetic dynamics of the image the mystical construction of communication |
| title | De la spiritualité franciscaine à une iconographie qui a marqué l’art de Toscane aux XIII-e et XIV-e siècles |
| title_full | De la spiritualité franciscaine à une iconographie qui a marqué l’art de Toscane aux XIII-e et XIV-e siècles |
| title_fullStr | De la spiritualité franciscaine à une iconographie qui a marqué l’art de Toscane aux XIII-e et XIV-e siècles |
| title_full_unstemmed | De la spiritualité franciscaine à une iconographie qui a marqué l’art de Toscane aux XIII-e et XIV-e siècles |
| title_short | De la spiritualité franciscaine à une iconographie qui a marqué l’art de Toscane aux XIII-e et XIV-e siècles |
| title_sort | de la spiritualite franciscaine a une iconographie qui a marque l art de toscane aux xiii e et xiv e siecles |
| topic | : iconology iconography aesthetic theology the ascetic dynamics of the image the mystical construction of communication |
| url | https://anastasis-review.ro/wp-content/uploads/ARMCA-2019-VI-2-02_Constantin-Necula.pdf |
| work_keys_str_mv | AT constantinnecula delaspiritualitefranciscaineauneiconographiequiamarquelartdetoscaneauxxiiieetxivesiecles AT eugenrachiteanu delaspiritualitefranciscaineauneiconographiequiamarquelartdetoscaneauxxiiieetxivesiecles |