THE AESTHETIC OF PITA MAHA PAINTING: SOURCES OF CREATION IN CONTEMPORARY ART

The creator, born in Padangtegal, Ubud, has appreciated Pita Maha artwork. Pita Maha painting is a genre that emerged in 1936, characterized by the fusion of classical Balinese and Western painting styles. The creator believes that the aesthetics of Pita Maha painting can serve as a foundation for a...

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Main Author: A.A. Gede Bayu Paramarta Krisna Prabu
Format: Article
Language:English
Published: ISI Press 2024-10-01
Series:Artistic
Subjects:
Online Access:https://jurnal.isi-ska.ac.id/index.php/artistic/article/view/4678
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author A.A. Gede Bayu Paramarta Krisna Prabu
author_facet A.A. Gede Bayu Paramarta Krisna Prabu
author_sort A.A. Gede Bayu Paramarta Krisna Prabu
collection DOAJ
description The creator, born in Padangtegal, Ubud, has appreciated Pita Maha artwork. Pita Maha painting is a genre that emerged in 1936, characterized by the fusion of classical Balinese and Western painting styles. The creator believes that the aesthetics of Pita Maha painting can serve as a foundation for artistic creation. This study employs a qualitative methodology, utilizing data collection techniques such as observation, documentation, interviews, and supplemented with library resources. The gathered data undergoes two phases: analysis to identify the concept, followed by the creation phase. The outcome of the study is a painting titled "Wayang Wong". This contemporary artwork is created employing the techniques and aesthetics of Pita Maha painting, allowing it to resonate within the context of modern life.
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spelling doaj-art-0ebbde0d74794e77b5a859fad081d7db2025-08-20T02:16:55ZengISI PressArtistic2721-94452721-93212024-10-015213614510.33153/artistic.v5i2.46783161THE AESTHETIC OF PITA MAHA PAINTING: SOURCES OF CREATION IN CONTEMPORARY ARTA.A. Gede Bayu Paramarta Krisna Prabu0Indonesia Institute of Art DenpasarThe creator, born in Padangtegal, Ubud, has appreciated Pita Maha artwork. Pita Maha painting is a genre that emerged in 1936, characterized by the fusion of classical Balinese and Western painting styles. The creator believes that the aesthetics of Pita Maha painting can serve as a foundation for artistic creation. This study employs a qualitative methodology, utilizing data collection techniques such as observation, documentation, interviews, and supplemented with library resources. The gathered data undergoes two phases: analysis to identify the concept, followed by the creation phase. The outcome of the study is a painting titled "Wayang Wong". This contemporary artwork is created employing the techniques and aesthetics of Pita Maha painting, allowing it to resonate within the context of modern life.https://jurnal.isi-ska.ac.id/index.php/artistic/article/view/4678pita mahaart paintingwayang wong bali
spellingShingle A.A. Gede Bayu Paramarta Krisna Prabu
THE AESTHETIC OF PITA MAHA PAINTING: SOURCES OF CREATION IN CONTEMPORARY ART
Artistic
pita maha
art painting
wayang wong
bali
title THE AESTHETIC OF PITA MAHA PAINTING: SOURCES OF CREATION IN CONTEMPORARY ART
title_full THE AESTHETIC OF PITA MAHA PAINTING: SOURCES OF CREATION IN CONTEMPORARY ART
title_fullStr THE AESTHETIC OF PITA MAHA PAINTING: SOURCES OF CREATION IN CONTEMPORARY ART
title_full_unstemmed THE AESTHETIC OF PITA MAHA PAINTING: SOURCES OF CREATION IN CONTEMPORARY ART
title_short THE AESTHETIC OF PITA MAHA PAINTING: SOURCES OF CREATION IN CONTEMPORARY ART
title_sort aesthetic of pita maha painting sources of creation in contemporary art
topic pita maha
art painting
wayang wong
bali
url https://jurnal.isi-ska.ac.id/index.php/artistic/article/view/4678
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