Autoficção em Journal d’un fantôme de Nicolas de Crécy

The origin of Journal d'un fantôme, by Nicolas de Crécy, comes from a GÉO hors-series, designed by graphic artists. This experience will be totally engaged by the author, who questions himself regarding the trip to Brasil, the lodging to him offered, what he sees, the status the magazine gives...

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Main Authors: Isabel Peixoto Correia, Sandra Raquel Silva
Format: Article
Language:English
Published: Association Portugaise d'Etudes Françaises 2009-06-01
Series:Carnets
Subjects:
Online Access:https://journals.openedition.org/carnets/4328
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author Isabel Peixoto Correia
Sandra Raquel Silva
author_facet Isabel Peixoto Correia
Sandra Raquel Silva
author_sort Isabel Peixoto Correia
collection DOAJ
description The origin of Journal d'un fantôme, by Nicolas de Crécy, comes from a GÉO hors-series, designed by graphic artists. This experience will be totally engaged by the author, who questions himself regarding the trip to Brasil, the lodging to him offered, what he sees, the status the magazine gives him and even of his future responsibility. Truly, each day more citizens question their voyages. The "grand tour" or nothing. Each day our world resembles more – like in the homonym film by Jia Zhang-Ke - a theme park. The apparent artist’s treason can benefit the cultural industry, to which, probably, there is also no bad publicity. The important thing is to discover how de Crécy asks reality to become fantasy and how we might decode the self-fiction in this literary and visual narrative.
format Article
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institution OA Journals
issn 1646-7698
language English
publishDate 2009-06-01
publisher Association Portugaise d'Etudes Françaises
record_format Article
series Carnets
spelling doaj-art-0e514243330f4a05a0a91b14e42e3cef2025-08-20T01:55:15ZengAssociation Portugaise d'Etudes FrançaisesCarnets1646-76982009-06-01141543110.4000/carnets.4328Autoficção em Journal d’un fantôme de Nicolas de CrécyIsabel Peixoto CorreiaSandra Raquel SilvaThe origin of Journal d'un fantôme, by Nicolas de Crécy, comes from a GÉO hors-series, designed by graphic artists. This experience will be totally engaged by the author, who questions himself regarding the trip to Brasil, the lodging to him offered, what he sees, the status the magazine gives him and even of his future responsibility. Truly, each day more citizens question their voyages. The "grand tour" or nothing. Each day our world resembles more – like in the homonym film by Jia Zhang-Ke - a theme park. The apparent artist’s treason can benefit the cultural industry, to which, probably, there is also no bad publicity. The important thing is to discover how de Crécy asks reality to become fantasy and how we might decode the self-fiction in this literary and visual narrative.https://journals.openedition.org/carnets/4328Nicolas de CrécySelf-fictionTravel theory
spellingShingle Isabel Peixoto Correia
Sandra Raquel Silva
Autoficção em Journal d’un fantôme de Nicolas de Crécy
Carnets
Nicolas de Crécy
Self-fiction
Travel theory
title Autoficção em Journal d’un fantôme de Nicolas de Crécy
title_full Autoficção em Journal d’un fantôme de Nicolas de Crécy
title_fullStr Autoficção em Journal d’un fantôme de Nicolas de Crécy
title_full_unstemmed Autoficção em Journal d’un fantôme de Nicolas de Crécy
title_short Autoficção em Journal d’un fantôme de Nicolas de Crécy
title_sort autoficcao em journal d un fantome de nicolas de crecy
topic Nicolas de Crécy
Self-fiction
Travel theory
url https://journals.openedition.org/carnets/4328
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AT sandraraquelsilva autoficcaoemjournaldunfantomedenicolasdecrecy