Delineating Ecoethics in Alexis Wright’s <i>Carpentaria</i> and <i>The Swan Book</i>
Literary works of contemporary Australian Aboriginal writers are widely read for their engagement with expressions of resilience and resistance against colonial supremacy. But these works have a greater significance in modern times, as they carry forward the Aboriginal cultural traditions of caring...
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| Main Authors: | , |
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| Format: | Article |
| Language: | English |
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MDPI AG
2025-04-01
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| Series: | Humanities |
| Subjects: | |
| Online Access: | https://www.mdpi.com/2076-0787/14/4/81 |
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| Summary: | Literary works of contemporary Australian Aboriginal writers are widely read for their engagement with expressions of resilience and resistance against colonial supremacy. But these works have a greater significance in modern times, as they carry forward the Aboriginal cultural traditions of caring for the country (an Aboriginal concept that comprises people, their culture, and all living and non-living entities in a place, including the land) and in vocalising the concerns that arise from grief for the loss of the natural environment. This paper investigates how Alexis Wright, in her postmillennial novels <i>Carpentaria</i> (2006) and <i>The Swan Book</i> (2013), redefines dominant ethical and aesthetic frameworks and tries to delineate ecoethics in these novels through a critical analysis of the representation of relationality and interconnectedness between Aboriginal people and their natural environment. By exploring the Aboriginal belief system as represented in the texts and its role in shaping Aboriginal environmental values, this paper argues that <i>Carpentaria</i> and <i>The Swan Book</i> embody ecoethics and offer a reimagining of deep ecological perspectives in contemporary literature. |
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| ISSN: | 2076-0787 |