Architecture’s Awaking from Correlationist Slumber: On Transdisciplinarity and Disciplinary Specificity

Perception cannot be considered independently of the environment since it is defined as an evolved adaptive and constructive relation between the life-form and its milieu. Unfortunately, experimental psychology research has relied overwhelmingly on object perception, rather than environment percepti...

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Main Author: Andrej Radman
Format: Article
Language:English
Published: TU Delft OPEN Publishing 2012-01-01
Series:Footprint
Online Access:https://ojs-libaccp.tudelft.nl/index.php/footprint/article/view/754
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author Andrej Radman
author_facet Andrej Radman
author_sort Andrej Radman
collection DOAJ
description Perception cannot be considered independently of the environment since it is defined as an evolved adaptive and constructive relation between the life-form and its milieu. Unfortunately, experimental psychology research has relied overwhelmingly on object perception, rather than environment perception, with the findings of the former providing the basis for understanding the latter. Architectural research continues to suffer from this fallacy. Furthermore, to separate the ‘cultural’ from the ‘natural’ environment – as if there were a world of mental and a world of material products – is a fatal mistake. There is only one world. The paper explores J.J. Gibson’s unwitting affiliation with Deleuze. The most notable point of convergence between the two thinkers is their more or less overt theory of ‘passive synthesis’ of perception with which they vehemently oppose, or better yet complement, the active synthesis of representation.
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publisher TU Delft OPEN Publishing
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spelling doaj-art-0cf2b3069a634962b112620d33f429e32025-02-03T01:00:33ZengTU Delft OPEN PublishingFootprint1875-15041875-14902012-01-0161-210.7480/footprint.6.1-2.754779Architecture’s Awaking from Correlationist Slumber: On Transdisciplinarity and Disciplinary SpecificityAndrej RadmanPerception cannot be considered independently of the environment since it is defined as an evolved adaptive and constructive relation between the life-form and its milieu. Unfortunately, experimental psychology research has relied overwhelmingly on object perception, rather than environment perception, with the findings of the former providing the basis for understanding the latter. Architectural research continues to suffer from this fallacy. Furthermore, to separate the ‘cultural’ from the ‘natural’ environment – as if there were a world of mental and a world of material products – is a fatal mistake. There is only one world. The paper explores J.J. Gibson’s unwitting affiliation with Deleuze. The most notable point of convergence between the two thinkers is their more or less overt theory of ‘passive synthesis’ of perception with which they vehemently oppose, or better yet complement, the active synthesis of representation.https://ojs-libaccp.tudelft.nl/index.php/footprint/article/view/754
spellingShingle Andrej Radman
Architecture’s Awaking from Correlationist Slumber: On Transdisciplinarity and Disciplinary Specificity
Footprint
title Architecture’s Awaking from Correlationist Slumber: On Transdisciplinarity and Disciplinary Specificity
title_full Architecture’s Awaking from Correlationist Slumber: On Transdisciplinarity and Disciplinary Specificity
title_fullStr Architecture’s Awaking from Correlationist Slumber: On Transdisciplinarity and Disciplinary Specificity
title_full_unstemmed Architecture’s Awaking from Correlationist Slumber: On Transdisciplinarity and Disciplinary Specificity
title_short Architecture’s Awaking from Correlationist Slumber: On Transdisciplinarity and Disciplinary Specificity
title_sort architecture s awaking from correlationist slumber on transdisciplinarity and disciplinary specificity
url https://ojs-libaccp.tudelft.nl/index.php/footprint/article/view/754
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