The Representation of Vernacular Architecture in the Gates of Paradise by Lorenzo Ghiberti

Often, artists of all time periods have unintentionally crystallized in their works the image of landscapes distant in time; of those landscapes, sometimes only faint traces remain, adding to the collection of so-called indirect sources. In many cases, a critical analysis carried out using the compa...

Full description

Saved in:
Bibliographic Details
Main Authors: Alessandro Merlo, Gaia Lavoratti
Format: Article
Language:English
Published: MDPI AG 2024-09-01
Series:Heritage
Subjects:
Online Access:https://www.mdpi.com/2571-9408/7/9/240
Tags: Add Tag
No Tags, Be the first to tag this record!
Description
Summary:Often, artists of all time periods have unintentionally crystallized in their works the image of landscapes distant in time; of those landscapes, sometimes only faint traces remain, adding to the collection of so-called indirect sources. In many cases, a critical analysis carried out using the comparative method of those iconographic sources allows the inference of the relevant information regarding the layout of places, the structures housed there, and the practice of arts and crafts, or about customs and habits (e.g., dressing, eating, etc.); it is possible to recompose the so-called ‘buried landscapes’ by combining it with, and thanks to, the substantial contributions of other disciplines (such as history, archaeology, and anthropology). This contribution shows the first outcomes of research carried out within the <i>Ghibertiana</i> Project by CHMlab of DIDA (UNIFI), which aims to analyze the ‘landscape characterised by cultivated areas’ from the Florentine countryside in the early fifteenth century. In particular, it is maintained that Lorenzo Ghiberti (Pelago, 1378–Florence, 1455), just like other contemporary artists, depicted territories and architectures he had first experienced in some of the ten bronze panels of the Gates of Paradise of the Baptistery of Florence. He described in great detail the flora, fauna, and anthropic structures of the extra moenia territory. The focus of the early stage of analysis and this contribution is mainly on shelters: temporary structures functional to agricultural work. The encouraging results obtained may give rise to new research on other Florentine landscape elements artfully chiseled in Ghiberti’s workshop.
ISSN:2571-9408