La connaissance des maîtres allemands anciens en France, de Dominique-Vivant Denon à Henri Focillon

Knowledge of the old German masters, the so-called "Primitives", from the end of the 18th century to the middle of the 20th century, is the result of an immense collective effort, to which art historians, museum curators, critics and writers have all contributed. France has played a fundam...

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Main Authors: Isabelle Dubois-Brinkmann, François-René Martin
Format: Article
Language:fra
Published: École du Louvre 2024-06-01
Series:Les Cahiers de l'École du Louvre
Subjects:
Online Access:https://journals.openedition.org/cel/33022
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author Isabelle Dubois-Brinkmann
François-René Martin
author_facet Isabelle Dubois-Brinkmann
François-René Martin
author_sort Isabelle Dubois-Brinkmann
collection DOAJ
description Knowledge of the old German masters, the so-called "Primitives", from the end of the 18th century to the middle of the 20th century, is the result of an immense collective effort, to which art historians, museum curators, critics and writers have all contributed. France has played a fundamental role in it, and deserves a synthesis that has never really been done. Whether we describe it as a matter of fortune or reception, or whether we want to look for transerts, this French vision of the German Primitives is profoundly determined by the shared political history of the two nations, made up of as many moments of openness as of prejudices into which nationalist postures enter.
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institution Kabale University
issn 2262-208X
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series Les Cahiers de l'École du Louvre
spelling doaj-art-0be6b5eeeaf74a9b96320330dd8892272025-01-30T14:00:22ZfraÉcole du LouvreLes Cahiers de l'École du Louvre2262-208X2024-06-012210.4000/11w6tLa connaissance des maîtres allemands anciens en France, de Dominique-Vivant Denon à Henri FocillonIsabelle Dubois-BrinkmannFrançois-René MartinKnowledge of the old German masters, the so-called "Primitives", from the end of the 18th century to the middle of the 20th century, is the result of an immense collective effort, to which art historians, museum curators, critics and writers have all contributed. France has played a fundamental role in it, and deserves a synthesis that has never really been done. Whether we describe it as a matter of fortune or reception, or whether we want to look for transerts, this French vision of the German Primitives is profoundly determined by the shared political history of the two nations, made up of as many moments of openness as of prejudices into which nationalist postures enter.https://journals.openedition.org/cel/33022GermanyreceptionhistoriographyMiddle AgesDenonFocillon
spellingShingle Isabelle Dubois-Brinkmann
François-René Martin
La connaissance des maîtres allemands anciens en France, de Dominique-Vivant Denon à Henri Focillon
Les Cahiers de l'École du Louvre
Germany
reception
historiography
Middle Ages
Denon
Focillon
title La connaissance des maîtres allemands anciens en France, de Dominique-Vivant Denon à Henri Focillon
title_full La connaissance des maîtres allemands anciens en France, de Dominique-Vivant Denon à Henri Focillon
title_fullStr La connaissance des maîtres allemands anciens en France, de Dominique-Vivant Denon à Henri Focillon
title_full_unstemmed La connaissance des maîtres allemands anciens en France, de Dominique-Vivant Denon à Henri Focillon
title_short La connaissance des maîtres allemands anciens en France, de Dominique-Vivant Denon à Henri Focillon
title_sort la connaissance des maitres allemands anciens en france de dominique vivant denon a henri focillon
topic Germany
reception
historiography
Middle Ages
Denon
Focillon
url https://journals.openedition.org/cel/33022
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AT francoisrenemartin laconnaissancedesmaitresallemandsanciensenfrancededominiquevivantdenonahenrifocillon