Vraisemblance et ‘illusion auctoriale’ dans le roman contemporain
Contemporary novels – namely those from Jean Echenoz and from Jean-Philippe Toussaint – constantly call attention to the artificial nature of their plot and make use of rewriting techniques which give way to a feeling of connivance between author and reader. They accentuate the role of the author an...
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| Format: | Article |
| Language: | English |
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Association Portugaise d'Etudes Françaises
2011-01-01
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| Series: | Carnets |
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| Online Access: | https://journals.openedition.org/carnets/6168 |
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| _version_ | 1850109728514899968 |
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| author | Dominique Almeida Rosa de Faria |
| author_facet | Dominique Almeida Rosa de Faria |
| author_sort | Dominique Almeida Rosa de Faria |
| collection | DOAJ |
| description | Contemporary novels – namely those from Jean Echenoz and from Jean-Philippe Toussaint – constantly call attention to the artificial nature of their plot and make use of rewriting techniques which give way to a feeling of connivance between author and reader. They accentuate the role of the author and his writing options rather than the verisimilitude of the fictional world: it is this voice which directly addresses the reader and the situation under which it communicates which assures verisimilitude and creates what one could call an “authorial illusion”, in other words the belief in a direct contact or relationship between reader and author. |
| format | Article |
| id | doaj-art-0b9d0940ca85466db8f62ee77faf508b |
| institution | OA Journals |
| issn | 1646-7698 |
| language | English |
| publishDate | 2011-01-01 |
| publisher | Association Portugaise d'Etudes Françaises |
| record_format | Article |
| series | Carnets |
| spelling | doaj-art-0b9d0940ca85466db8f62ee77faf508b2025-08-20T02:38:01ZengAssociation Portugaise d'Etudes FrançaisesCarnets1646-76982011-01-01317518310.4000/carnets.6168Vraisemblance et ‘illusion auctoriale’ dans le roman contemporainDominique Almeida Rosa de FariaContemporary novels – namely those from Jean Echenoz and from Jean-Philippe Toussaint – constantly call attention to the artificial nature of their plot and make use of rewriting techniques which give way to a feeling of connivance between author and reader. They accentuate the role of the author and his writing options rather than the verisimilitude of the fictional world: it is this voice which directly addresses the reader and the situation under which it communicates which assures verisimilitude and creates what one could call an “authorial illusion”, in other words the belief in a direct contact or relationship between reader and author.https://journals.openedition.org/carnets/6168VerisimilitudeContemporary novelToussaintEchenozAuthorial illusion |
| spellingShingle | Dominique Almeida Rosa de Faria Vraisemblance et ‘illusion auctoriale’ dans le roman contemporain Carnets Verisimilitude Contemporary novel Toussaint Echenoz Authorial illusion |
| title | Vraisemblance et ‘illusion auctoriale’ dans le roman contemporain |
| title_full | Vraisemblance et ‘illusion auctoriale’ dans le roman contemporain |
| title_fullStr | Vraisemblance et ‘illusion auctoriale’ dans le roman contemporain |
| title_full_unstemmed | Vraisemblance et ‘illusion auctoriale’ dans le roman contemporain |
| title_short | Vraisemblance et ‘illusion auctoriale’ dans le roman contemporain |
| title_sort | vraisemblance et illusion auctoriale dans le roman contemporain |
| topic | Verisimilitude Contemporary novel Toussaint Echenoz Authorial illusion |
| url | https://journals.openedition.org/carnets/6168 |
| work_keys_str_mv | AT dominiquealmeidarosadefaria vraisemblanceetillusionauctorialedansleromancontemporain |