Artificial Intelligence, Post-Work and Music Labor
The recent – purportedly rapid – development of AI tools has again resurrected the actuality of post-work u-/dystopias. Drawing on discursive topoi which have become popular since the post-WW2 automatization surge, AI post-work now advances into the field of white-collar labor, but also creative, ar...
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| Format: | Article |
| Language: | Bosnian |
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INSAM Institute for Contemporary Artistic Music
2024-07-01
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| Series: | INSAM |
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| Online Access: | https://insamjournal.com/index.php/ij/article/view/120 |
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| _version_ | 1849714348093603840 |
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| author | Srđan Atanasovski |
| author_facet | Srđan Atanasovski |
| author_sort | Srđan Atanasovski |
| collection | DOAJ |
| description | The recent – purportedly rapid – development of AI tools has again resurrected the actuality of post-work u-/dystopias. Drawing on discursive topoi which have become popular since the post-WW2 automatization surge, AI post-work now advances into the field of white-collar labor, but also creative, artistic, and even music labor. In this paper I aim to analyze the emergent arrival of the post-work thesis into music labor. I will draw on prominent critics of automatization, AI and post-work discourses, such as Pierre Naville, Aaron Benanav and Jason Resnikoff, to show that these discourses are not only unsubstantiated, but are instrumentalized in order to depreciate the value of concrete labor in music production. |
| format | Article |
| id | doaj-art-0b8f83fd797641258ae6be3baf0eb80c |
| institution | DOAJ |
| issn | 2637-1898 |
| language | Bosnian |
| publishDate | 2024-07-01 |
| publisher | INSAM Institute for Contemporary Artistic Music |
| record_format | Article |
| series | INSAM |
| spelling | doaj-art-0b8f83fd797641258ae6be3baf0eb80c2025-08-20T03:13:43ZbosINSAM Institute for Contemporary Artistic MusicINSAM2637-18982024-07-01123245https://doi.org/10.51191/issn.2637-1898.2024.7.12.32Artificial Intelligence, Post-Work and Music LaborSrđan Atanasovski0https://orcid.org/0009-0008-8986-5604Institute of Musicology, Serbian Academy of Sciences and ArtsThe recent – purportedly rapid – development of AI tools has again resurrected the actuality of post-work u-/dystopias. Drawing on discursive topoi which have become popular since the post-WW2 automatization surge, AI post-work now advances into the field of white-collar labor, but also creative, artistic, and even music labor. In this paper I aim to analyze the emergent arrival of the post-work thesis into music labor. I will draw on prominent critics of automatization, AI and post-work discourses, such as Pierre Naville, Aaron Benanav and Jason Resnikoff, to show that these discourses are not only unsubstantiated, but are instrumentalized in order to depreciate the value of concrete labor in music production.https://insamjournal.com/index.php/ij/article/view/120artificial intelligence (ai)automatizationpost-workmusic laborcreative labor |
| spellingShingle | Srđan Atanasovski Artificial Intelligence, Post-Work and Music Labor INSAM artificial intelligence (ai) automatization post-work music labor creative labor |
| title | Artificial Intelligence, Post-Work and Music Labor |
| title_full | Artificial Intelligence, Post-Work and Music Labor |
| title_fullStr | Artificial Intelligence, Post-Work and Music Labor |
| title_full_unstemmed | Artificial Intelligence, Post-Work and Music Labor |
| title_short | Artificial Intelligence, Post-Work and Music Labor |
| title_sort | artificial intelligence post work and music labor |
| topic | artificial intelligence (ai) automatization post-work music labor creative labor |
| url | https://insamjournal.com/index.php/ij/article/view/120 |
| work_keys_str_mv | AT srđanatanasovski artificialintelligencepostworkandmusiclabor |