Reformator i statysta albo hulaka na metafizyczną skalę. O dwóch portretach cara Iwana Groźnego w kinie rosyjskim

Reformer and Outstanding Politician or Rake on a Metaphysical Scale. Two Portraits of Tsar Ivan the Terrible in Russian Cinema The text is an attempt to define the specificity of portraits of the first Russian Tsar, Ivan the Terrible, in the field of historiography and culture, including popular c...

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Main Author: Andrzej Szpulak
Format: Article
Language:English
Published: Adam Mickiewicz University Press 2013-01-01
Series:Images
Subjects:
Online Access:https://pressto.amu.edu.pl/index.php/i/article/view/3531
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author Andrzej Szpulak
author_facet Andrzej Szpulak
author_sort Andrzej Szpulak
collection DOAJ
description Reformer and Outstanding Politician or Rake on a Metaphysical Scale. Two Portraits of Tsar Ivan the Terrible in Russian Cinema The text is an attempt to define the specificity of portraits of the first Russian Tsar, Ivan the Terrible, in the field of historiography and culture, including popular culture. This characteristic is referred then to the analysis of two films – S. Eisenstein's Ivan the Terrible (1944-1946) and P. Lungin’s Tsar (2009). These films depict two different interpretations of the historical figure presented above all in Russian discourse. On the one hand (Eisenstein), Ivan is seen as a prominent politician engaged in a state-building strategy; on the other (Lungin), he is above all a crazy criminal.
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publisher Adam Mickiewicz University Press
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spelling doaj-art-0b79ad6fd92d4b8cb7ed709b25e310792025-08-20T02:28:31ZengAdam Mickiewicz University PressImages1731-450X2720-040X2013-01-01122110.14746/i.2013.21.27Reformator i statysta albo hulaka na metafizyczną skalę. O dwóch portretach cara Iwana Groźnego w kinie rosyjskimAndrzej Szpulak0Katedra Filmu, Telewizji i Nowych Mediów UAM Reformer and Outstanding Politician or Rake on a Metaphysical Scale. Two Portraits of Tsar Ivan the Terrible in Russian Cinema The text is an attempt to define the specificity of portraits of the first Russian Tsar, Ivan the Terrible, in the field of historiography and culture, including popular culture. This characteristic is referred then to the analysis of two films – S. Eisenstein's Ivan the Terrible (1944-1946) and P. Lungin’s Tsar (2009). These films depict two different interpretations of the historical figure presented above all in Russian discourse. On the one hand (Eisenstein), Ivan is seen as a prominent politician engaged in a state-building strategy; on the other (Lungin), he is above all a crazy criminal. https://pressto.amu.edu.pl/index.php/i/article/view/3531Sergei EisensteinPavel LunginIvan the Terriblethe Russian filmhistorical filmthe history of the film
spellingShingle Andrzej Szpulak
Reformator i statysta albo hulaka na metafizyczną skalę. O dwóch portretach cara Iwana Groźnego w kinie rosyjskim
Images
Sergei Eisenstein
Pavel Lungin
Ivan the Terrible
the Russian film
historical film
the history of the film
title Reformator i statysta albo hulaka na metafizyczną skalę. O dwóch portretach cara Iwana Groźnego w kinie rosyjskim
title_full Reformator i statysta albo hulaka na metafizyczną skalę. O dwóch portretach cara Iwana Groźnego w kinie rosyjskim
title_fullStr Reformator i statysta albo hulaka na metafizyczną skalę. O dwóch portretach cara Iwana Groźnego w kinie rosyjskim
title_full_unstemmed Reformator i statysta albo hulaka na metafizyczną skalę. O dwóch portretach cara Iwana Groźnego w kinie rosyjskim
title_short Reformator i statysta albo hulaka na metafizyczną skalę. O dwóch portretach cara Iwana Groźnego w kinie rosyjskim
title_sort reformator i statysta albo hulaka na metafizyczna skale o dwoch portretach cara iwana groznego w kinie rosyjskim
topic Sergei Eisenstein
Pavel Lungin
Ivan the Terrible
the Russian film
historical film
the history of the film
url https://pressto.amu.edu.pl/index.php/i/article/view/3531
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