Giorgio Vasari, Francisco Pacheco et le Jugement dernier

This article takes a particular viewpoint (the subject of the Last Judgement), to discuss the possible importance of the writings of Giorgio Vassari for the Spanish theoretician Francisco Pacheco. For various reasons the two authors devoted numerous pages to this subject, and each illustrated it in...

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Main Author: Anne-Sophie Molinié
Format: Article
Language:Spanish
Published: Casa de Velázquez 2011-11-01
Series:Mélanges de la Casa de Velázquez
Subjects:
Online Access:https://journals.openedition.org/mcv/4088
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author Anne-Sophie Molinié
author_facet Anne-Sophie Molinié
author_sort Anne-Sophie Molinié
collection DOAJ
description This article takes a particular viewpoint (the subject of the Last Judgement), to discuss the possible importance of the writings of Giorgio Vassari for the Spanish theoretician Francisco Pacheco. For various reasons the two authors devoted numerous pages to this subject, and each illustrated it in a painting. Vassari’s, which was commissioned by the Pope, can still be viewed at Bosco Marengo in Piedmont; Pacheco’s was painted for the convent of Santa Isabel in Seville. A certain number of writings and engravings that were circulating in Spain in the late 16th and early 17th centuries have been collected together to demonstrate the dissemination of Italian or Nordic iconographic models and analyse the point of view that Pacheco impressed on his own interpretation of the subject as a theoretician and censor of the Inquisition. In short, the article seeks to evaluate the extent to which Giorgio Vassari’s writings influenced Francisco Pacheco’s thought, and more generally the reception of the Tuscan biographer’s writings and positions in the Iberian Peninsula.
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spelling doaj-art-0b6be81aa87845da9feebf424f5ad5f62025-08-20T02:24:05ZspaCasa de VelázquezMélanges de la Casa de Velázquez0076-230X2173-13062011-11-0141216518410.4000/mcv.4088Giorgio Vasari, Francisco Pacheco et le Jugement dernierAnne-Sophie MoliniéThis article takes a particular viewpoint (the subject of the Last Judgement), to discuss the possible importance of the writings of Giorgio Vassari for the Spanish theoretician Francisco Pacheco. For various reasons the two authors devoted numerous pages to this subject, and each illustrated it in a painting. Vassari’s, which was commissioned by the Pope, can still be viewed at Bosco Marengo in Piedmont; Pacheco’s was painted for the convent of Santa Isabel in Seville. A certain number of writings and engravings that were circulating in Spain in the late 16th and early 17th centuries have been collected together to demonstrate the dissemination of Italian or Nordic iconographic models and analyse the point of view that Pacheco impressed on his own interpretation of the subject as a theoretician and censor of the Inquisition. In short, the article seeks to evaluate the extent to which Giorgio Vassari’s writings influenced Francisco Pacheco’s thought, and more generally the reception of the Tuscan biographer’s writings and positions in the Iberian Peninsula.https://journals.openedition.org/mcv/4088IconographyPaintingFrancisco PachecoGiorgio VasariLast JudgementTheory of Art
spellingShingle Anne-Sophie Molinié
Giorgio Vasari, Francisco Pacheco et le Jugement dernier
Mélanges de la Casa de Velázquez
Iconography
Painting
Francisco Pacheco
Giorgio Vasari
Last Judgement
Theory of Art
title Giorgio Vasari, Francisco Pacheco et le Jugement dernier
title_full Giorgio Vasari, Francisco Pacheco et le Jugement dernier
title_fullStr Giorgio Vasari, Francisco Pacheco et le Jugement dernier
title_full_unstemmed Giorgio Vasari, Francisco Pacheco et le Jugement dernier
title_short Giorgio Vasari, Francisco Pacheco et le Jugement dernier
title_sort giorgio vasari francisco pacheco et le jugement dernier
topic Iconography
Painting
Francisco Pacheco
Giorgio Vasari
Last Judgement
Theory of Art
url https://journals.openedition.org/mcv/4088
work_keys_str_mv AT annesophiemolinie giorgiovasarifranciscopachecoetlejugementdernier