Aux marches du théâtre : affiches sensationnelles et posters énigmatiques dans Aurora Floyd de M. E. Braddon
Throughout the 1860s, Victorian England strove to foreground the image of its society as some kind of Crystal Palace where transparency and truth prevailed. With fast-growing industrialisation and massive urbanization, it was indeed harder and harder to read through class codes, and external appeara...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2004-04-01
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| Series: | Cahiers Victoriens et Edouardiens |
| Online Access: | https://journals.openedition.org/cve/16511 |
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