Feminist Mothers and Daughters in Top Girls and Yerma

Through feminist theories of motherhood, this essay discusses the mother-daughter relationship, a dominant feature of two British plays, Top Girls (1982/1991) by Caryl Churchill and Yerma (2017) by Simon Stone, the latter being an adaptation of Federico Garcia Lorca’s (1934/1968) play with the same...

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Main Author: Florentina Gümüş
Format: Article
Language:English
Published: Atatürk University 2023-03-01
Series:Theatre Academy
Subjects:
Online Access:https://dergipark.org.tr/tr/download/article-file/2711212
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author Florentina Gümüş
author_facet Florentina Gümüş
author_sort Florentina Gümüş
collection DOAJ
description Through feminist theories of motherhood, this essay discusses the mother-daughter relationship, a dominant feature of two British plays, Top Girls (1982/1991) by Caryl Churchill and Yerma (2017) by Simon Stone, the latter being an adaptation of Federico Garcia Lorca’s (1934/1968) play with the same title. The mothers on which this essay focuses present certain characteristics and express certain views that lead the readers/audience to identify them as feminists, though they do not declare themselves as such. What this essay argues is that the portrayal of these mothers, and particularly through the attitude of people around them, reproduces the traditional incompatibility between female empowerment and motherhood, between having a successful career and being a mother. The mother in the contemporary play Yerma can be regarded as belonging to the same generation with Marlene, the protagonist from Top Girls whose problematic relationship with her daughter is mirrored in Helen’s experience of motherhood, few decades later. Both mothers are empowered women, yet their empowerment does not come though motherhood and moreover, they do not pass it on to their daughters.
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spelling doaj-art-0b0c71521d0448b9ace6e63fafb92b6d2025-02-06T12:41:25ZengAtatürk UniversityTheatre Academy2980-16562023-03-0111526855Feminist Mothers and Daughters in Top Girls and YermaFlorentina Gümüş0https://orcid.org/0000-0002-3327-0221ATATURK UNIVERSITYThrough feminist theories of motherhood, this essay discusses the mother-daughter relationship, a dominant feature of two British plays, Top Girls (1982/1991) by Caryl Churchill and Yerma (2017) by Simon Stone, the latter being an adaptation of Federico Garcia Lorca’s (1934/1968) play with the same title. The mothers on which this essay focuses present certain characteristics and express certain views that lead the readers/audience to identify them as feminists, though they do not declare themselves as such. What this essay argues is that the portrayal of these mothers, and particularly through the attitude of people around them, reproduces the traditional incompatibility between female empowerment and motherhood, between having a successful career and being a mother. The mother in the contemporary play Yerma can be regarded as belonging to the same generation with Marlene, the protagonist from Top Girls whose problematic relationship with her daughter is mirrored in Helen’s experience of motherhood, few decades later. Both mothers are empowered women, yet their empowerment does not come though motherhood and moreover, they do not pass it on to their daughters.https://dergipark.org.tr/tr/download/article-file/2711212feminismmotherhoodbritish theatremother-daughter relationshipfeminismmotherhoodbritish theatremother-daughter relationship
spellingShingle Florentina Gümüş
Feminist Mothers and Daughters in Top Girls and Yerma
Theatre Academy
feminism
motherhood
british theatre
mother-daughter relationship
feminism
motherhood
british theatre
mother-daughter relationship
title Feminist Mothers and Daughters in Top Girls and Yerma
title_full Feminist Mothers and Daughters in Top Girls and Yerma
title_fullStr Feminist Mothers and Daughters in Top Girls and Yerma
title_full_unstemmed Feminist Mothers and Daughters in Top Girls and Yerma
title_short Feminist Mothers and Daughters in Top Girls and Yerma
title_sort feminist mothers and daughters in top girls and yerma
topic feminism
motherhood
british theatre
mother-daughter relationship
feminism
motherhood
british theatre
mother-daughter relationship
url https://dergipark.org.tr/tr/download/article-file/2711212
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