„The End" i projekt happy endu. O funkcji piosenki w "Czasie Apokalipsy" F.F. Coppoli
„The End” and a Project of Happy End. On the Function of Song in F.F. Coppola’s „Apocalypse Now” In his brilliant analysis and interpretation of the famous song The End of The Doors Werner Faulstich showed that this piece is built on the formal structure of Greek tragedy. This article is an attempt...
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| Language: | English |
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Adam Mickiewicz University Press
2012-01-01
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| Series: | Images |
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| Online Access: | https://pressto.amu.edu.pl/index.php/i/article/view/3480 |
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| author | Anna Igielska |
| author_facet | Anna Igielska |
| author_sort | Anna Igielska |
| collection | DOAJ |
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„The End” and a Project of Happy End. On the Function of Song in F.F. Coppola’s „Apocalypse Now”
In his brilliant analysis and interpretation of the famous song The End of The Doors Werner Faulstich showed that this piece is built on the formal structure of Greek tragedy. This article is an attempt at developing his idea by putting it in context of Francis Ford Coppola’s film, Apocalypse Now: beginning with the description of the structure and dramaturgy of film exposition, then showing the place of the song in the film narration and composition, at last stressing its connection with the plot – not only with the prologue and the end of Coppola’s work, but also with mythological subject and message of his film |
| format | Article |
| id | doaj-art-0ae8f2b810a3427a90314996d123768c |
| institution | OA Journals |
| issn | 1731-450X 2720-040X |
| language | English |
| publishDate | 2012-01-01 |
| publisher | Adam Mickiewicz University Press |
| record_format | Article |
| series | Images |
| spelling | doaj-art-0ae8f2b810a3427a90314996d123768c2025-08-20T02:16:19ZengAdam Mickiewicz University PressImages1731-450X2720-040X2012-01-01101910.14746/i.2012.19.04„The End" i projekt happy endu. O funkcji piosenki w "Czasie Apokalipsy" F.F. CoppoliAnna Igielska0Katedra Filmu, Telewizji i Nowych Mediów UAM „The End” and a Project of Happy End. On the Function of Song in F.F. Coppola’s „Apocalypse Now” In his brilliant analysis and interpretation of the famous song The End of The Doors Werner Faulstich showed that this piece is built on the formal structure of Greek tragedy. This article is an attempt at developing his idea by putting it in context of Francis Ford Coppola’s film, Apocalypse Now: beginning with the description of the structure and dramaturgy of film exposition, then showing the place of the song in the film narration and composition, at last stressing its connection with the plot – not only with the prologue and the end of Coppola’s work, but also with mythological subject and message of his filmhttps://pressto.amu.edu.pl/index.php/i/article/view/3480The DoorsThe EndFrancis Ford CoppolaApocalypse Now (1979)song analysis |
| spellingShingle | Anna Igielska „The End" i projekt happy endu. O funkcji piosenki w "Czasie Apokalipsy" F.F. Coppoli Images The Doors The End Francis Ford Coppola Apocalypse Now (1979) song analysis |
| title | „The End" i projekt happy endu. O funkcji piosenki w "Czasie Apokalipsy" F.F. Coppoli |
| title_full | „The End" i projekt happy endu. O funkcji piosenki w "Czasie Apokalipsy" F.F. Coppoli |
| title_fullStr | „The End" i projekt happy endu. O funkcji piosenki w "Czasie Apokalipsy" F.F. Coppoli |
| title_full_unstemmed | „The End" i projekt happy endu. O funkcji piosenki w "Czasie Apokalipsy" F.F. Coppoli |
| title_short | „The End" i projekt happy endu. O funkcji piosenki w "Czasie Apokalipsy" F.F. Coppoli |
| title_sort | the end i projekt happy endu o funkcji piosenki w czasie apokalipsy f f coppoli |
| topic | The Doors The End Francis Ford Coppola Apocalypse Now (1979) song analysis |
| url | https://pressto.amu.edu.pl/index.php/i/article/view/3480 |
| work_keys_str_mv | AT annaigielska theendiprojekthappyenduofunkcjipiosenkiwczasieapokalipsyffcoppoli |