„The End" i projekt happy endu. O funkcji piosenki w "Czasie Apokalipsy" F.F. Coppoli

„The End” and a Project of Happy End. On the Function of Song in F.F. Coppola’s „Apocalypse Now” In his brilliant analysis and interpretation of the famous song The End of The Doors Werner Faulstich showed that this piece is built on the formal structure of Greek tragedy. This article is an attempt...

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Main Author: Anna Igielska
Format: Article
Language:English
Published: Adam Mickiewicz University Press 2012-01-01
Series:Images
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Online Access:https://pressto.amu.edu.pl/index.php/i/article/view/3480
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author Anna Igielska
author_facet Anna Igielska
author_sort Anna Igielska
collection DOAJ
description „The End” and a Project of Happy End. On the Function of Song in F.F. Coppola’s „Apocalypse Now” In his brilliant analysis and interpretation of the famous song The End of The Doors Werner Faulstich showed that this piece is built on the formal structure of Greek tragedy. This article is an attempt at developing his idea by putting it in context of Francis Ford Coppola’s film, Apocalypse Now: beginning with the description of the structure and dramaturgy of film exposition, then showing the place of the song in the film narration and composition, at last stressing its connection with the plot – not only with the prologue and the end of Coppola’s work, but also with mythological subject and message of his film
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publisher Adam Mickiewicz University Press
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series Images
spelling doaj-art-0ae8f2b810a3427a90314996d123768c2025-08-20T02:16:19ZengAdam Mickiewicz University PressImages1731-450X2720-040X2012-01-01101910.14746/i.2012.19.04„The End" i projekt happy endu. O funkcji piosenki w "Czasie Apokalipsy" F.F. CoppoliAnna Igielska0Katedra Filmu, Telewizji i Nowych Mediów UAM „The End” and a Project of Happy End. On the Function of Song in F.F. Coppola’s „Apocalypse Now” In his brilliant analysis and interpretation of the famous song The End of The Doors Werner Faulstich showed that this piece is built on the formal structure of Greek tragedy. This article is an attempt at developing his idea by putting it in context of Francis Ford Coppola’s film, Apocalypse Now: beginning with the description of the structure and dramaturgy of film exposition, then showing the place of the song in the film narration and composition, at last stressing its connection with the plot – not only with the prologue and the end of Coppola’s work, but also with mythological subject and message of his filmhttps://pressto.amu.edu.pl/index.php/i/article/view/3480The DoorsThe EndFrancis Ford CoppolaApocalypse Now (1979)song analysis
spellingShingle Anna Igielska
„The End" i projekt happy endu. O funkcji piosenki w "Czasie Apokalipsy" F.F. Coppoli
Images
The Doors
The End
Francis Ford Coppola
Apocalypse Now (1979)
song analysis
title „The End" i projekt happy endu. O funkcji piosenki w "Czasie Apokalipsy" F.F. Coppoli
title_full „The End" i projekt happy endu. O funkcji piosenki w "Czasie Apokalipsy" F.F. Coppoli
title_fullStr „The End" i projekt happy endu. O funkcji piosenki w "Czasie Apokalipsy" F.F. Coppoli
title_full_unstemmed „The End" i projekt happy endu. O funkcji piosenki w "Czasie Apokalipsy" F.F. Coppoli
title_short „The End" i projekt happy endu. O funkcji piosenki w "Czasie Apokalipsy" F.F. Coppoli
title_sort the end i projekt happy endu o funkcji piosenki w czasie apokalipsy f f coppoli
topic The Doors
The End
Francis Ford Coppola
Apocalypse Now (1979)
song analysis
url https://pressto.amu.edu.pl/index.php/i/article/view/3480
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