Un réseau de sources : figures de l’araignée dans Madame Bovary et La Tentation de saint Antoine

An image that has crossed literature since Antiquity, the spider appears in Flaubert’s pages like a leitmotif that recurs in several scenes where it carries major meanings for the artist’s poetics. The author fully exploits the versatility of this animal, which, as Sylvie Ballestra-Puech has shown,...

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Main Author: Irene Zanot
Format: Article
Language:fra
Published: Institut des Textes & Manuscrits Modernes (ITEM) 2022-06-01
Series:Flaubert: Revue Critique et Génétique
Online Access:https://journals.openedition.org/flaubert/4509
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author Irene Zanot
author_facet Irene Zanot
author_sort Irene Zanot
collection DOAJ
description An image that has crossed literature since Antiquity, the spider appears in Flaubert’s pages like a leitmotif that recurs in several scenes where it carries major meanings for the artist’s poetics. The author fully exploits the versatility of this animal, which, as Sylvie Ballestra-Puech has shown, acquires a negative value in the Western iconographic and literary tradition. Incarnation of the devil in a production which was inspired by the Bible as well as in some "moralizing" re-readings of the myth of Arachne, an omen of misfortune and madness, this arachnid enters the Flaubertian universe first of all through Ovid’s Metamorphoses. But Flaubert’s spider also feeds on some subterranean works, as demonstrated by the analysis of some passages from Madame Bovary and La Tentation de saint Antoine where the animal is mentioned.
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institution Kabale University
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language fra
publishDate 2022-06-01
publisher Institut des Textes & Manuscrits Modernes (ITEM)
record_format Article
series Flaubert: Revue Critique et Génétique
spelling doaj-art-0a6f7ae68fc34d0d861d3355009809232025-02-05T16:29:10ZfraInstitut des Textes & Manuscrits Modernes (ITEM)Flaubert: Revue Critique et Génétique1969-61912022-06-012710.4000/flaubert.4509Un réseau de sources : figures de l’araignée dans Madame Bovary et La Tentation de saint AntoineIrene ZanotAn image that has crossed literature since Antiquity, the spider appears in Flaubert’s pages like a leitmotif that recurs in several scenes where it carries major meanings for the artist’s poetics. The author fully exploits the versatility of this animal, which, as Sylvie Ballestra-Puech has shown, acquires a negative value in the Western iconographic and literary tradition. Incarnation of the devil in a production which was inspired by the Bible as well as in some "moralizing" re-readings of the myth of Arachne, an omen of misfortune and madness, this arachnid enters the Flaubertian universe first of all through Ovid’s Metamorphoses. But Flaubert’s spider also feeds on some subterranean works, as demonstrated by the analysis of some passages from Madame Bovary and La Tentation de saint Antoine where the animal is mentioned.https://journals.openedition.org/flaubert/4509
spellingShingle Irene Zanot
Un réseau de sources : figures de l’araignée dans Madame Bovary et La Tentation de saint Antoine
Flaubert: Revue Critique et Génétique
title Un réseau de sources : figures de l’araignée dans Madame Bovary et La Tentation de saint Antoine
title_full Un réseau de sources : figures de l’araignée dans Madame Bovary et La Tentation de saint Antoine
title_fullStr Un réseau de sources : figures de l’araignée dans Madame Bovary et La Tentation de saint Antoine
title_full_unstemmed Un réseau de sources : figures de l’araignée dans Madame Bovary et La Tentation de saint Antoine
title_short Un réseau de sources : figures de l’araignée dans Madame Bovary et La Tentation de saint Antoine
title_sort un reseau de sources figures de l araignee dans madame bovary et la tentation de saint antoine
url https://journals.openedition.org/flaubert/4509
work_keys_str_mv AT irenezanot unreseaudesourcesfiguresdelaraigneedansmadamebovaryetlatentationdesaintantoine