A l’origine des couleurs et éléments matériels d’œuvres peintes des XIVe-XVIe siècles
This paper is devoted to applied brocade, subject of the colloquium published here, and to others techniques of textile imitation such tin reliefs, sgraffito … encountred in painting and sculpture in the Middle Ages. An abstract of theses techniques is presented, and the methodology observed crossin...
Saved in:
| Main Authors: | Anne-Solenn Le Hô, Sandra Montlouis, Sandrine Pagès-Camagna†, Nathalie Pingaud, Yannick Vandenberghe |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Association CeROArt
2021-03-01
|
| Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
| Subjects: | |
| Online Access: | https://journals.openedition.org/ceroart/7933 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Esthétique du brouillon et des compositions déjetées. L’élégance-crasse de Cy Twombly par Roland Barthes
by: Maud Hagelstein
Published: (2024-01-01) -
Singer ou de la répétition des mots à l’imitation des corps
by: Laurence Rosier
Published: (2009-05-01) -
Échelles et variations des couleurs des champs
by: Jean-Pierre Husson
Published: (2024-07-01) -
Potential for imitation as a dynamic capability of organisation
by: Krzakiewicz Kazimierz, et al.
Published: (2018-06-01) -
Couleur et design des bioressources
by: Céline Caumon
Published: (2025-01-01)