How to Undo Things and Selves with Words: Understanding Literature as Praxis in Virginia Woolf’s Essays on Actresses
Virginia Woolf reflects on her own medium in relation to the notion of personality. This article reads her essay “Personalities” (1947), in which she explores the reader’s response to the personalities of writers, in light of three essays that discuss the art of acting embodied by three celebrated n...
Saved in:
Main Author: | Caroline Marie |
---|---|
Format: | Article |
Language: | English |
Published: |
Centre de Recherche "Texte et Critique de Texte"
2024-12-01
|
Series: | Sillages Critiques |
Subjects: | |
Online Access: | https://journals.openedition.org/sillagescritiques/16682 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
The Roaring Streets: Dickensian London in the Pages of Virginia Woolf
by: Francesca Orestano
Published: (2021-01-01) -
Modernism’s Zoo (Pet and Pen in Virginia Woolf’s Flush)
by: Frédéric Regard
Published: (2024-12-01) -
La constellation comme pratique créatrice chez Virginia Woolf et Annie Ernaux
by: Suzel Meyer
Published: (2022-07-01) -
‘Solving the problem of reality’ in Virginia Woolf’s Flush
by: Pauline Macadré
Published: (2018-12-01) -
Virginia Woolf’s “Modernist Renaissance” in “Anon”: A Singular Counter-History
by: Anne Besnault
Published: (2024-12-01)