Élaboration d’une légende auctoriale cynique : l’autoportrait de Dassoucy en « Diogène de la prison »
In his dialogue The Prison published in 1674, Dassoucy tells of his extrême experience in the Châtelet. But he also tries to establish a compensatory identity, with the claims that he is a kind of « Diogenes of the prison ». This gives him a way to fuel a personal myth, thanks to a radical but ambig...
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| Format: | Article |
| Language: | fra |
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Groupe de Recherches Interdisciplinaires sur l'Histoire du Littéraire
2011-12-01
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| Series: | Les Dossiers du GRIHL |
| Subjects: | |
| Online Access: | https://journals.openedition.org/dossiersgrihl/4919 |
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| Summary: | In his dialogue The Prison published in 1674, Dassoucy tells of his extrême experience in the Châtelet. But he also tries to establish a compensatory identity, with the claims that he is a kind of « Diogenes of the prison ». This gives him a way to fuel a personal myth, thanks to a radical but ambiguous emancipation of speech and laughter. |
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| ISSN: | 1958-9247 |