A Cambodian Dancer in a Displaced Persons’ Camp
The more than a quarter of a million Cambodians in camps on the Thai side of the Cambodia-Thailand border in the late 20th century are referred to, in Khmer, as chun pies khluon. This translates into English as “refugees,” but means, literally, “those who are escaping” or “people on the run.” Exist...
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mdwPress, mdw – University of Music and Performing Arts Vienna
2021-12-01
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| Series: | Music & Minorities |
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| Online Access: | https://mm.journals.qucosa.de/mm/article/view/3 |
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| author | Toni Shapiro-Phim |
| author_facet | Toni Shapiro-Phim |
| author_sort | Toni Shapiro-Phim |
| collection | DOAJ |
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The more than a quarter of a million Cambodians in camps on the Thai side of the Cambodia-Thailand border in the late 20th century are referred to, in Khmer, as chun pies khluon. This translates into English as “refugees,” but means, literally, “those who are escaping” or “people on the run.” Existing between a then-recent past of devastating loss and a future as yet unknown, they remained in an unsettled situation of physical precarity for more than a decade as many of the camps along that border were in an active war zone.
Focusing mainly on one dancer in Site 2 camp, this essay explores ways in which dancers and musicians were bringing into being an aesthetic and spiritual potency that transcended the surrounding reality, not only as momentary escape, (though that can be powerful in its own right), but also as fortification against dehumanization. The combination of an embodied passing on of cultural knowledge with formal documentation of the arts and associated rituals reveal an eye to and imagination of a future back inside Cambodia, something at odds with the reality of the camp inhabitants’ prolonged exile.
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| format | Article |
| id | doaj-art-078e04704c8d444b8a0b82cd3622c3d3 |
| institution | DOAJ |
| issn | 2791-4569 |
| language | English |
| publishDate | 2021-12-01 |
| publisher | mdwPress, mdw – University of Music and Performing Arts Vienna |
| record_format | Article |
| series | Music & Minorities |
| spelling | doaj-art-078e04704c8d444b8a0b82cd3622c3d32025-08-20T03:16:21ZengmdwPress, mdw – University of Music and Performing Arts ViennaMusic & Minorities2791-45692021-12-01110.52411/mm.2021.3A Cambodian Dancer in a Displaced Persons’ CampToni Shapiro-Phim0International Center for Ethics, Justice and Public Life, Brandeis University, Waltham, USA The more than a quarter of a million Cambodians in camps on the Thai side of the Cambodia-Thailand border in the late 20th century are referred to, in Khmer, as chun pies khluon. This translates into English as “refugees,” but means, literally, “those who are escaping” or “people on the run.” Existing between a then-recent past of devastating loss and a future as yet unknown, they remained in an unsettled situation of physical precarity for more than a decade as many of the camps along that border were in an active war zone. Focusing mainly on one dancer in Site 2 camp, this essay explores ways in which dancers and musicians were bringing into being an aesthetic and spiritual potency that transcended the surrounding reality, not only as momentary escape, (though that can be powerful in its own right), but also as fortification against dehumanization. The combination of an embodied passing on of cultural knowledge with formal documentation of the arts and associated rituals reveal an eye to and imagination of a future back inside Cambodia, something at odds with the reality of the camp inhabitants’ prolonged exile. https://mm.journals.qucosa.de/mm/article/view/3dance ethnologyrefugeesgenocidemoral imaginationclassical dance |
| spellingShingle | Toni Shapiro-Phim A Cambodian Dancer in a Displaced Persons’ Camp Music & Minorities dance ethnology refugees genocide moral imagination classical dance |
| title | A Cambodian Dancer in a Displaced Persons’ Camp |
| title_full | A Cambodian Dancer in a Displaced Persons’ Camp |
| title_fullStr | A Cambodian Dancer in a Displaced Persons’ Camp |
| title_full_unstemmed | A Cambodian Dancer in a Displaced Persons’ Camp |
| title_short | A Cambodian Dancer in a Displaced Persons’ Camp |
| title_sort | cambodian dancer in a displaced persons camp |
| topic | dance ethnology refugees genocide moral imagination classical dance |
| url | https://mm.journals.qucosa.de/mm/article/view/3 |
| work_keys_str_mv | AT tonishapirophim acambodiandancerinadisplacedpersonscamp AT tonishapirophim cambodiandancerinadisplacedpersonscamp |