I sing the body dystopic: Utopia and posthuman corporeality in P.D. James’s The Children of Men

  The resurgence of novels dealing with dystopian cosmogonies since the 1990s may reveal a newtrend in Utopian Studies. If classical dystopia was defined by the imposition of collective political and social structures upon the individual and out of which there was no escape (as constructed, mainly,...

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Main Author: Eduardo Marks de Marques
Format: Article
Language:English
Published: Universidade Federal de Santa Catarina 2013-12-01
Series:Ilha do Desterro
Online Access:https://periodicos.ufsc.br/index.php/desterro/article/view/29450
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author Eduardo Marks de Marques
author_facet Eduardo Marks de Marques
author_sort Eduardo Marks de Marques
collection DOAJ
description   The resurgence of novels dealing with dystopian cosmogonies since the 1990s may reveal a newtrend in Utopian Studies. If classical dystopia was defined by the imposition of collective political and social structures upon the individual and out of which there was no escape (as constructed, mainly, by Aldous Huxley’s Brave New World and George Orwell’s Nineteen Eighty-Four), these contemporary dystopian novels critically construct posthuman societies where the focus is on the development of the dystopian body, which questions andreinvents the very definitions of humanity. This article aims at examining theeffects of posthuman critique upon the construction of the dystopian body in P.D. James’s novel The Children of Men.
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spelling doaj-art-072736e6c25f44c8bb07d55642a80e482025-08-20T02:42:57ZengUniversidade Federal de Santa CatarinaIlha do Desterro0101-48462175-80262013-12-016510.5007/2175-8026.2013n65p2921089I sing the body dystopic: Utopia and posthuman corporeality in P.D. James’s The Children of MenEduardo Marks de Marques0Universidade Federal de Pelotas  The resurgence of novels dealing with dystopian cosmogonies since the 1990s may reveal a newtrend in Utopian Studies. If classical dystopia was defined by the imposition of collective political and social structures upon the individual and out of which there was no escape (as constructed, mainly, by Aldous Huxley’s Brave New World and George Orwell’s Nineteen Eighty-Four), these contemporary dystopian novels critically construct posthuman societies where the focus is on the development of the dystopian body, which questions andreinvents the very definitions of humanity. This article aims at examining theeffects of posthuman critique upon the construction of the dystopian body in P.D. James’s novel The Children of Men. https://periodicos.ufsc.br/index.php/desterro/article/view/29450
spellingShingle Eduardo Marks de Marques
I sing the body dystopic: Utopia and posthuman corporeality in P.D. James’s The Children of Men
Ilha do Desterro
title I sing the body dystopic: Utopia and posthuman corporeality in P.D. James’s The Children of Men
title_full I sing the body dystopic: Utopia and posthuman corporeality in P.D. James’s The Children of Men
title_fullStr I sing the body dystopic: Utopia and posthuman corporeality in P.D. James’s The Children of Men
title_full_unstemmed I sing the body dystopic: Utopia and posthuman corporeality in P.D. James’s The Children of Men
title_short I sing the body dystopic: Utopia and posthuman corporeality in P.D. James’s The Children of Men
title_sort i sing the body dystopic utopia and posthuman corporeality in p d james s the children of men
url https://periodicos.ufsc.br/index.php/desterro/article/view/29450
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