Venus in Fur:

This article aims to analyze the artistic work Venus in Fur through the theatrical play Venus in Fur, written by David Ives in 2010, and the French feature film Venus in Fur, directed by Roman Polanski in 2013. In this analysis, we seek to understand the dialogues established between the play and t...

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Main Authors: João Vítor Zanato de Carvalho Ribeiro, Ana Claudia Balieiro Lodi
Format: Article
Language:English
Published: Universidade Federal do Rio Grande do Sul 2025-04-01
Series:Revista Brasileira de Estudos da Presença
Subjects:
Online Access:https://seer.ufrgs.br/index.php/educacaoerealidade;www.scielo.br/index.php/presenca/article/view/147118
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author João Vítor Zanato de Carvalho Ribeiro
Ana Claudia Balieiro Lodi
author_facet João Vítor Zanato de Carvalho Ribeiro
Ana Claudia Balieiro Lodi
author_sort João Vítor Zanato de Carvalho Ribeiro
collection DOAJ
description This article aims to analyze the artistic work Venus in Fur through the theatrical play Venus in Fur, written by David Ives in 2010, and the French feature film Venus in Fur, directed by Roman Polanski in 2013. In this analysis, we seek to understand the dialogues established between the play and the film with previous artistic works, involving the historically built meanings about women and their social role, themes that permeate Venus in Fur. The theoretical-methodological perspective that underpins the proposed analysis is based on the studies of Bakhtin and the Bakhtin Circle, by understanding that artistic works are part of a long human discursive chain of great time, reflecting and refracting their own time, while responding to the past and being projected into the future. In turn, Venus in Fur promotes a major feast of renewal of meanings, extending its dialogue beyond its socio-historical context of circulation, reaching works from the past and other contexts, by situating the representation of women in art at the center of its discussion.
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series Revista Brasileira de Estudos da Presença
spelling doaj-art-03b7505bbdc940118484d0337c5cdf2c2025-08-20T02:55:42ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602025-04-01151Venus in Fur:João Vítor Zanato de Carvalho Ribeiro0Ana Claudia Balieiro Lodi1Universidade de São Paulo - USPUniversidade de São Paulo - USP This article aims to analyze the artistic work Venus in Fur through the theatrical play Venus in Fur, written by David Ives in 2010, and the French feature film Venus in Fur, directed by Roman Polanski in 2013. In this analysis, we seek to understand the dialogues established between the play and the film with previous artistic works, involving the historically built meanings about women and their social role, themes that permeate Venus in Fur. The theoretical-methodological perspective that underpins the proposed analysis is based on the studies of Bakhtin and the Bakhtin Circle, by understanding that artistic works are part of a long human discursive chain of great time, reflecting and refracting their own time, while responding to the past and being projected into the future. In turn, Venus in Fur promotes a major feast of renewal of meanings, extending its dialogue beyond its socio-historical context of circulation, reaching works from the past and other contexts, by situating the representation of women in art at the center of its discussion. https://seer.ufrgs.br/index.php/educacaoerealidade;www.scielo.br/index.php/presenca/article/view/147118Venus in FurBakhtin CircleTheaterCinemaGreat Time
spellingShingle João Vítor Zanato de Carvalho Ribeiro
Ana Claudia Balieiro Lodi
Venus in Fur:
Revista Brasileira de Estudos da Presença
Venus in Fur
Bakhtin Circle
Theater
Cinema
Great Time
title Venus in Fur:
title_full Venus in Fur:
title_fullStr Venus in Fur:
title_full_unstemmed Venus in Fur:
title_short Venus in Fur:
title_sort venus in fur
topic Venus in Fur
Bakhtin Circle
Theater
Cinema
Great Time
url https://seer.ufrgs.br/index.php/educacaoerealidade;www.scielo.br/index.php/presenca/article/view/147118
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