La ficción y el documento

The essay seeks to think about the consolidated opposition in modernity between the understanding of literature as fiction and the critique of the idea of literature as a document, commenting on two works by the Argentine author Belén López Peiró (Por qué volvías cada verano -2018- y Donde no hago p...

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Main Author: Luciene Azevedo
Format: Article
Language:Spanish
Published: Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata 2024-02-01
Series:Cuadernos LIRICO
Subjects:
Online Access:https://journals.openedition.org/lirico/15560
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author Luciene Azevedo
author_facet Luciene Azevedo
author_sort Luciene Azevedo
collection DOAJ
description The essay seeks to think about the consolidated opposition in modernity between the understanding of literature as fiction and the critique of the idea of literature as a document, commenting on two works by the Argentine author Belén López Peiró (Por qué volvías cada verano -2018- y Donde no hago pie - 2021-) considering the way in which, in both, it is possible to perceive a certain capture of debates present in the current public imagination, as well as their narrative exploration. An important hypothesis of this research proposal is that the tension created by the appropriation of documentary sources by many contemporary narratives may indicate an attempt to redefine the value and new frontiers for what we understand as literature in the present. Dealing with Belén López Peiró's narratives, it is intended to thematize the way in which the documentary turn (Klein, 2019; Contreras, 2018; Garramuño, 2019) can be the gateway to an interrogation about the peculiar ways in which fictions become entangled, and problematize the very idea of what we call reality in the present.
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language Spanish
publishDate 2024-02-01
publisher Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata
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spelling doaj-art-03a4e9d5697b4a998aec1517eea1c0bf2025-08-20T02:47:04ZspaRéseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la PlataCuadernos LIRICO2262-83392024-02-012610.4000/lirico.15560La ficción y el documentoLuciene AzevedoThe essay seeks to think about the consolidated opposition in modernity between the understanding of literature as fiction and the critique of the idea of literature as a document, commenting on two works by the Argentine author Belén López Peiró (Por qué volvías cada verano -2018- y Donde no hago pie - 2021-) considering the way in which, in both, it is possible to perceive a certain capture of debates present in the current public imagination, as well as their narrative exploration. An important hypothesis of this research proposal is that the tension created by the appropriation of documentary sources by many contemporary narratives may indicate an attempt to redefine the value and new frontiers for what we understand as literature in the present. Dealing with Belén López Peiró's narratives, it is intended to thematize the way in which the documentary turn (Klein, 2019; Contreras, 2018; Garramuño, 2019) can be the gateway to an interrogation about the peculiar ways in which fictions become entangled, and problematize the very idea of what we call reality in the present.https://journals.openedition.org/lirico/15560fictionDocumentautonomyantifictionpublic imagination.
spellingShingle Luciene Azevedo
La ficción y el documento
Cuadernos LIRICO
fiction
Document
autonomy
antifiction
public imagination.
title La ficción y el documento
title_full La ficción y el documento
title_fullStr La ficción y el documento
title_full_unstemmed La ficción y el documento
title_short La ficción y el documento
title_sort la ficcion y el documento
topic fiction
Document
autonomy
antifiction
public imagination.
url https://journals.openedition.org/lirico/15560
work_keys_str_mv AT lucieneazevedo laficcionyeldocumento