Formes vagabondes. Précarité du médium et pratiques filmiques vernaculaires en cinéma romani

From a perspective that combines film history and the anthropology of Roma/Gypsies, this text proposes an analysis of the practices and technical constraints experienced by artists and filmmakers, both amateur and professional, in describing the mobility and living conditions of the Roma populations...

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Main Author: Jonathan Larcher
Format: Article
Language:fra
Published: Centre d´Histoire et Théorie des Arts 2021-10-01
Series:Images Re-Vues
Subjects:
Online Access:https://journals.openedition.org/imagesrevues/11350
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author Jonathan Larcher
author_facet Jonathan Larcher
author_sort Jonathan Larcher
collection DOAJ
description From a perspective that combines film history and the anthropology of Roma/Gypsies, this text proposes an analysis of the practices and technical constraints experienced by artists and filmmakers, both amateur and professional, in describing the mobility and living conditions of the Roma populations in Western Europe over the past 50 years. The films of this historical experience, of this life of itinerancy, of migration and circulation, necessarily match these forms of life with the particular utilitarian filmic techniques and formats. This genealogy of a Romani cinema – made of bricolage, low-resolution videos and “poor images” (Steyerl) – is a direct contribution to a visual history of Romani political movements and to recent works in the field of film studies that apprehend filmic practices as an ecosystem.
format Article
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issn 1778-3801
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publisher Centre d´Histoire et Théorie des Arts
record_format Article
series Images Re-Vues
spelling doaj-art-038554f2304e4860b710d06e9e9c36e32025-08-20T02:34:16ZfraCentre d´Histoire et Théorie des ArtsImages Re-Vues1778-38012021-10-011810.4000/imagesrevues.11350Formes vagabondes. Précarité du médium et pratiques filmiques vernaculaires en cinéma romaniJonathan LarcherFrom a perspective that combines film history and the anthropology of Roma/Gypsies, this text proposes an analysis of the practices and technical constraints experienced by artists and filmmakers, both amateur and professional, in describing the mobility and living conditions of the Roma populations in Western Europe over the past 50 years. The films of this historical experience, of this life of itinerancy, of migration and circulation, necessarily match these forms of life with the particular utilitarian filmic techniques and formats. This genealogy of a Romani cinema – made of bricolage, low-resolution videos and “poor images” (Steyerl) – is a direct contribution to a visual history of Romani political movements and to recent works in the field of film studies that apprehend filmic practices as an ecosystem.https://journals.openedition.org/imagesrevues/11350techniqueFilmRoma/Gypsiesmediafilm historysocial movement
spellingShingle Jonathan Larcher
Formes vagabondes. Précarité du médium et pratiques filmiques vernaculaires en cinéma romani
Images Re-Vues
technique
Film
Roma/Gypsies
media
film history
social movement
title Formes vagabondes. Précarité du médium et pratiques filmiques vernaculaires en cinéma romani
title_full Formes vagabondes. Précarité du médium et pratiques filmiques vernaculaires en cinéma romani
title_fullStr Formes vagabondes. Précarité du médium et pratiques filmiques vernaculaires en cinéma romani
title_full_unstemmed Formes vagabondes. Précarité du médium et pratiques filmiques vernaculaires en cinéma romani
title_short Formes vagabondes. Précarité du médium et pratiques filmiques vernaculaires en cinéma romani
title_sort formes vagabondes precarite du medium et pratiques filmiques vernaculaires en cinema romani
topic technique
Film
Roma/Gypsies
media
film history
social movement
url https://journals.openedition.org/imagesrevues/11350
work_keys_str_mv AT jonathanlarcher formesvagabondesprecaritedumediumetpratiquesfilmiquesvernaculairesencinemaromani