Duncan’s Stein Writings: Derivation and Logopoeia

This article begins by considering Duncan’s Stein writings as a criticism of highly invested modernist suppositions regarding originality and mastery, these latter exemplified by Wyndham Lewis’s view of Hemingway as castrated and belittled by his inability not to imitate Gertrude Stein. It continues...

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Main Author: Daniel Katz
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2020-12-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/10012
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author Daniel Katz
author_facet Daniel Katz
author_sort Daniel Katz
collection DOAJ
description This article begins by considering Duncan’s Stein writings as a criticism of highly invested modernist suppositions regarding originality and mastery, these latter exemplified by Wyndham Lewis’s view of Hemingway as castrated and belittled by his inability not to imitate Gertrude Stein. It continues to examine Duncan’s mobilisation of syllepsis in his Stein writings, and to relate this figure to the Poundian conception of logopoeia, first elaborated in relation to the writings of Mina Loy and Marianne Moore. This allows for a recontextualisation of Stein within the history of Anglo-American modernist poetry by women, and a consideration of its consequences. The paper ends with a brief examination of the relationship of Duncan and Spicer in their shared but distinct projects of challenging essential tenets of modernist lyric ideology, a project for which Stein proves a crucial resource to Duncan, not least in offering a form of “permission” for the exploration of certain forms of “bad” writing.
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spelling doaj-art-032e4fd9805c4f5bbc2d04ee5f8775532025-01-30T13:47:25ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022020-12-012910.4000/sillagescritiques.10012Duncan’s Stein Writings: Derivation and LogopoeiaDaniel KatzThis article begins by considering Duncan’s Stein writings as a criticism of highly invested modernist suppositions regarding originality and mastery, these latter exemplified by Wyndham Lewis’s view of Hemingway as castrated and belittled by his inability not to imitate Gertrude Stein. It continues to examine Duncan’s mobilisation of syllepsis in his Stein writings, and to relate this figure to the Poundian conception of logopoeia, first elaborated in relation to the writings of Mina Loy and Marianne Moore. This allows for a recontextualisation of Stein within the history of Anglo-American modernist poetry by women, and a consideration of its consequences. The paper ends with a brief examination of the relationship of Duncan and Spicer in their shared but distinct projects of challenging essential tenets of modernist lyric ideology, a project for which Stein proves a crucial resource to Duncan, not least in offering a form of “permission” for the exploration of certain forms of “bad” writing.https://journals.openedition.org/sillagescritiques/10012Gertrude SteinoriginalitysyllepsisRobert DuncanJack SpicerWyndham Lewis
spellingShingle Daniel Katz
Duncan’s Stein Writings: Derivation and Logopoeia
Sillages Critiques
Gertrude Stein
originality
syllepsis
Robert Duncan
Jack Spicer
Wyndham Lewis
title Duncan’s Stein Writings: Derivation and Logopoeia
title_full Duncan’s Stein Writings: Derivation and Logopoeia
title_fullStr Duncan’s Stein Writings: Derivation and Logopoeia
title_full_unstemmed Duncan’s Stein Writings: Derivation and Logopoeia
title_short Duncan’s Stein Writings: Derivation and Logopoeia
title_sort duncan s stein writings derivation and logopoeia
topic Gertrude Stein
originality
syllepsis
Robert Duncan
Jack Spicer
Wyndham Lewis
url https://journals.openedition.org/sillagescritiques/10012
work_keys_str_mv AT danielkatz duncanssteinwritingsderivationandlogopoeia