Un arrière-plan essentiel, la question de la sécurité dans la série Maria Vandamme

The television series, Maria Vandamme, was broadcast in 1989 and was a hit with audiences. It received numerous awards for its portrayal of the four-part adaptation of Jacques Duquesne's book, set during the Second Empire and concluding with La Commune de Paris. The protagonist, Maria, exhibits...

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Main Author: Isabelle Veyrat-Masson
Format: Article
Language:fra
Published: Association Paul Langevin 2024-12-01
Series:Cahiers d’histoire.
Subjects:
Online Access:https://journals.openedition.org/chrhc/24537
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author Isabelle Veyrat-Masson
author_facet Isabelle Veyrat-Masson
author_sort Isabelle Veyrat-Masson
collection DOAJ
description The television series, Maria Vandamme, was broadcast in 1989 and was a hit with audiences. It received numerous awards for its portrayal of the four-part adaptation of Jacques Duquesne's book, set during the Second Empire and concluding with La Commune de Paris. The protagonist, Maria, exhibits an unwavering passion for independence and defies her societal position, actively eluding aggression from men and government agents. Through the assistance of a few loyal friends, she manages to escape from her dire situation, even as she confronts the police, who shields neither her nor her loved ones, instead committing brutalities against them. Despite their unjust actions, these upholders of order keep driving the narrative forward, but never to a climactic point. Each of their destinies still comes to fruition, despite the repressive conditions and the events that shape them.
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publishDate 2024-12-01
publisher Association Paul Langevin
record_format Article
series Cahiers d’histoire.
spelling doaj-art-023fd057db9b4494bb19bea0dbca22622025-01-30T10:29:29ZfraAssociation Paul LangevinCahiers d’histoire.1271-66692102-59162024-12-01161213410.4000/1322eUn arrière-plan essentiel, la question de la sécurité dans la série Maria VandammeIsabelle Veyrat-MassonThe television series, Maria Vandamme, was broadcast in 1989 and was a hit with audiences. It received numerous awards for its portrayal of the four-part adaptation of Jacques Duquesne's book, set during the Second Empire and concluding with La Commune de Paris. The protagonist, Maria, exhibits an unwavering passion for independence and defies her societal position, actively eluding aggression from men and government agents. Through the assistance of a few loyal friends, she manages to escape from her dire situation, even as she confronts the police, who shields neither her nor her loved ones, instead committing brutalities against them. Despite their unjust actions, these upholders of order keep driving the narrative forward, but never to a climactic point. Each of their destinies still comes to fruition, despite the repressive conditions and the events that shape them.https://journals.openedition.org/chrhc/24537mineswomenhistorical seriesworking-class conditionsNorthLa Commune
spellingShingle Isabelle Veyrat-Masson
Un arrière-plan essentiel, la question de la sécurité dans la série Maria Vandamme
Cahiers d’histoire.
mines
women
historical series
working-class conditions
North
La Commune
title Un arrière-plan essentiel, la question de la sécurité dans la série Maria Vandamme
title_full Un arrière-plan essentiel, la question de la sécurité dans la série Maria Vandamme
title_fullStr Un arrière-plan essentiel, la question de la sécurité dans la série Maria Vandamme
title_full_unstemmed Un arrière-plan essentiel, la question de la sécurité dans la série Maria Vandamme
title_short Un arrière-plan essentiel, la question de la sécurité dans la série Maria Vandamme
title_sort un arriere plan essentiel la question de la securite dans la serie maria vandamme
topic mines
women
historical series
working-class conditions
North
La Commune
url https://journals.openedition.org/chrhc/24537
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