Que bom te ver viva: vozes femininas reivindicando uma outra história
The right to determine the meaning of the military dictatorship in Brazil has been a constant dispute between members of the militant left and the military regime. The language used by the two groups constantly revolves around the mythic images of “heroes”, “victims”, “for the good of the people”. T...
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| Format: | Article |
| Language: | Spanish |
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Universidade de Brasília
2014-01-01
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| Series: | Estudos de Literatura Brasileira Contemporânea |
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| Online Access: | http://www.redalyc.org/articulo.oa?id=323130679003 |
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| author | Kátia da Costa Bezerra |
| author_facet | Kátia da Costa Bezerra |
| author_sort | Kátia da Costa Bezerra |
| collection | DOAJ |
| description | The right to determine the meaning of the military dictatorship in Brazil has been a constant dispute between members of the militant left and the military regime. The language used by the two groups constantly revolves around the mythic images of “heroes”, “victims”, “for the good of the people”. This essay focuses on Que bom te ver viva, by Lúcia Murat, who brings a new perspective to this debate. Taking as a point of departure the testimony of eight ex-political prisoners, the film attempts to answer the question: How did we survive?” The essay discusses how the movie builds frames of memory that go beyond those taken as representative. |
| format | Article |
| id | doaj-art-01e92a3f966b4506b91ee3587fcaae07 |
| institution | Kabale University |
| issn | 1518-0158 2316-4018 |
| language | Spanish |
| publishDate | 2014-01-01 |
| publisher | Universidade de Brasília |
| record_format | Article |
| series | Estudos de Literatura Brasileira Contemporânea |
| spelling | doaj-art-01e92a3f966b4506b91ee3587fcaae072025-02-07T19:44:35ZspaUniversidade de BrasíliaEstudos de Literatura Brasileira Contemporânea1518-01582316-40182014-01-01433548Que bom te ver viva: vozes femininas reivindicando uma outra históriaKátia da Costa BezerraThe right to determine the meaning of the military dictatorship in Brazil has been a constant dispute between members of the militant left and the military regime. The language used by the two groups constantly revolves around the mythic images of “heroes”, “victims”, “for the good of the people”. This essay focuses on Que bom te ver viva, by Lúcia Murat, who brings a new perspective to this debate. Taking as a point of departure the testimony of eight ex-political prisoners, the film attempts to answer the question: How did we survive?” The essay discusses how the movie builds frames of memory that go beyond those taken as representative.http://www.redalyc.org/articulo.oa?id=323130679003military dictatorshipwomenviolenceagencytorturememory |
| spellingShingle | Kátia da Costa Bezerra Que bom te ver viva: vozes femininas reivindicando uma outra história Estudos de Literatura Brasileira Contemporânea military dictatorship women violence agency torture memory |
| title | Que bom te ver viva: vozes femininas reivindicando uma outra história |
| title_full | Que bom te ver viva: vozes femininas reivindicando uma outra história |
| title_fullStr | Que bom te ver viva: vozes femininas reivindicando uma outra história |
| title_full_unstemmed | Que bom te ver viva: vozes femininas reivindicando uma outra história |
| title_short | Que bom te ver viva: vozes femininas reivindicando uma outra história |
| title_sort | que bom te ver viva vozes femininas reivindicando uma outra historia |
| topic | military dictatorship women violence agency torture memory |
| url | http://www.redalyc.org/articulo.oa?id=323130679003 |
| work_keys_str_mv | AT katiadacostabezerra quebomtevervivavozesfemininasreivindicandoumaoutrahistoria |