Fragments ou le format comme mise en œuvre et en acte d’une pensée de la Relation
Fragments is a collective piece combining poetry, visual arts and music. By focusing on the relationships between texts and images – representative of a lifelong cooperation between the poet, slammer and novelist Marc Alexandre Oho Bambe and the visual artist Fred Ebami – this article aims to show t...
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| Format: | Article |
| Language: | English |
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Université de Bourgogne
2021-12-01
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| Series: | Interfaces |
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| Online Access: | https://journals.openedition.org/interfaces/3337 |
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| _version_ | 1850199220237107200 |
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| author | Virginie Brinker |
| author_facet | Virginie Brinker |
| author_sort | Virginie Brinker |
| collection | DOAJ |
| description | Fragments is a collective piece combining poetry, visual arts and music. By focusing on the relationships between texts and images – representative of a lifelong cooperation between the poet, slammer and novelist Marc Alexandre Oho Bambe and the visual artist Fred Ebami – this article aims to show that the chosen format achieves the Relation as exemplified by Glissant, by interweaving aesthetic, philosophical and political principles shared by the authors. Fragments also celebrates the performativity of language, turning the work into a new land, a concrete utopia. |
| format | Article |
| id | doaj-art-0190aba925434530aa9aa5e8907f0755 |
| institution | OA Journals |
| issn | 2647-6754 |
| language | English |
| publishDate | 2021-12-01 |
| publisher | Université de Bourgogne |
| record_format | Article |
| series | Interfaces |
| spelling | doaj-art-0190aba925434530aa9aa5e8907f07552025-08-20T02:12:40ZengUniversité de BourgogneInterfaces2647-67542021-12-014610.4000/interfaces.3337Fragments ou le format comme mise en œuvre et en acte d’une pensée de la RelationVirginie BrinkerFragments is a collective piece combining poetry, visual arts and music. By focusing on the relationships between texts and images – representative of a lifelong cooperation between the poet, slammer and novelist Marc Alexandre Oho Bambe and the visual artist Fred Ebami – this article aims to show that the chosen format achieves the Relation as exemplified by Glissant, by interweaving aesthetic, philosophical and political principles shared by the authors. Fragments also celebrates the performativity of language, turning the work into a new land, a concrete utopia.https://journals.openedition.org/interfaces/3337poetryformatvisual artsEbami (Fred)Glissant (Édouard)Oho Bambe (Marc Alexandre) |
| spellingShingle | Virginie Brinker Fragments ou le format comme mise en œuvre et en acte d’une pensée de la Relation Interfaces poetry format visual arts Ebami (Fred) Glissant (Édouard) Oho Bambe (Marc Alexandre) |
| title | Fragments ou le format comme mise en œuvre et en acte d’une pensée de la Relation |
| title_full | Fragments ou le format comme mise en œuvre et en acte d’une pensée de la Relation |
| title_fullStr | Fragments ou le format comme mise en œuvre et en acte d’une pensée de la Relation |
| title_full_unstemmed | Fragments ou le format comme mise en œuvre et en acte d’une pensée de la Relation |
| title_short | Fragments ou le format comme mise en œuvre et en acte d’une pensée de la Relation |
| title_sort | fragments ou le format comme mise en oeuvre et en acte d une pensee de la relation |
| topic | poetry format visual arts Ebami (Fred) Glissant (Édouard) Oho Bambe (Marc Alexandre) |
| url | https://journals.openedition.org/interfaces/3337 |
| work_keys_str_mv | AT virginiebrinker fragmentsouleformatcommemiseenœuvreetenactedunepenseedelarelation |