Creation of a legend: The interinfluence of historiography and romance tradition in the plot about the last Visigothic king Rodrigo

Spanish epic legends, which originated in ancient times in the oral tradition, have come down to us in various written forms — from historiography (prose chronicles) and major epic poems to small folklore lyric-epic genres, such as the Spanish “old” romance (romancero viejo). The question of the gen...

Full description

Saved in:
Bibliographic Details
Main Author: N. K. Kiselyova
Format: Article
Language:English
Published: Russian Presidential Academy of National Economy and Public Administration. RANEPA 2022-06-01
Series:Шаги
Subjects:
Online Access:https://steps.ranepa.ru/jour/article/view/119
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1849317335865753600
author N. K. Kiselyova
author_facet N. K. Kiselyova
author_sort N. K. Kiselyova
collection DOAJ
description Spanish epic legends, which originated in ancient times in the oral tradition, have come down to us in various written forms — from historiography (prose chronicles) and major epic poems to small folklore lyric-epic genres, such as the Spanish “old” romance (romancero viejo). The question of the genesis, the method of composition and distribution of such plots is one of the most important now. First of all, it’s connected with the problem of stadial or parallel origin of the texts. The article is devoted to the reconstruction of the ancient Spanish plot about Rodrigo, the last king of the Visigoths, in Latin and Old Castilian historiography, including in the “History of Spain” by Alfonso X the Wise. In addition, the reconstructed plot is compared with the folk epic romance about Rodrigo’s last battle with the Moors and the loss of Spain. The cycle of romances formed in the 14th–16th centuries has several separate plots about Rodrigo. The most interesting question here is which of the plots is the principal one in the cycle and goes back to the authentic folk epic text formed in the oral environment. The analysis undertaken in this article allows us to show, on the one hand, how the plot lives and develops in the tradition and what changes it suffers. On the other hand, comparing the reconstructed plot in the chronicle with the text of the romance allows us to try to identify the original text that is the foundation of the cycle and try to prove the parallel development of plots in romances and chronicles.
format Article
id doaj-art-019015986a9e42fabd93c12c52c7ee2e
institution Kabale University
issn 2412-9410
2782-1765
language English
publishDate 2022-06-01
publisher Russian Presidential Academy of National Economy and Public Administration. RANEPA
record_format Article
series Шаги
spelling doaj-art-019015986a9e42fabd93c12c52c7ee2e2025-08-20T03:51:14ZengRussian Presidential Academy of National Economy and Public Administration. RANEPAШаги2412-94102782-17652022-06-0182304510.22394/2412-9410-2022-8-2-30-45118Creation of a legend: The interinfluence of historiography and romance tradition in the plot about the last Visigothic king RodrigoN. K. Kiselyova0Российский государственный гуманитарный университетSpanish epic legends, which originated in ancient times in the oral tradition, have come down to us in various written forms — from historiography (prose chronicles) and major epic poems to small folklore lyric-epic genres, such as the Spanish “old” romance (romancero viejo). The question of the genesis, the method of composition and distribution of such plots is one of the most important now. First of all, it’s connected with the problem of stadial or parallel origin of the texts. The article is devoted to the reconstruction of the ancient Spanish plot about Rodrigo, the last king of the Visigoths, in Latin and Old Castilian historiography, including in the “History of Spain” by Alfonso X the Wise. In addition, the reconstructed plot is compared with the folk epic romance about Rodrigo’s last battle with the Moors and the loss of Spain. The cycle of romances formed in the 14th–16th centuries has several separate plots about Rodrigo. The most interesting question here is which of the plots is the principal one in the cycle and goes back to the authentic folk epic text formed in the oral environment. The analysis undertaken in this article allows us to show, on the one hand, how the plot lives and develops in the tradition and what changes it suffers. On the other hand, comparing the reconstructed plot in the chronicle with the text of the romance allows us to try to identify the original text that is the foundation of the cycle and try to prove the parallel development of plots in romances and chronicles.https://steps.ranepa.ru/jour/article/view/119chronicle“old” romance“history of spain”alfonso x the wiserodrigoking of the visigoths
spellingShingle N. K. Kiselyova
Creation of a legend: The interinfluence of historiography and romance tradition in the plot about the last Visigothic king Rodrigo
Шаги
chronicle
“old” romance
“history of spain”
alfonso x the wise
rodrigo
king of the visigoths
title Creation of a legend: The interinfluence of historiography and romance tradition in the plot about the last Visigothic king Rodrigo
title_full Creation of a legend: The interinfluence of historiography and romance tradition in the plot about the last Visigothic king Rodrigo
title_fullStr Creation of a legend: The interinfluence of historiography and romance tradition in the plot about the last Visigothic king Rodrigo
title_full_unstemmed Creation of a legend: The interinfluence of historiography and romance tradition in the plot about the last Visigothic king Rodrigo
title_short Creation of a legend: The interinfluence of historiography and romance tradition in the plot about the last Visigothic king Rodrigo
title_sort creation of a legend the interinfluence of historiography and romance tradition in the plot about the last visigothic king rodrigo
topic chronicle
“old” romance
“history of spain”
alfonso x the wise
rodrigo
king of the visigoths
url https://steps.ranepa.ru/jour/article/view/119
work_keys_str_mv AT nkkiselyova creationofalegendtheinterinfluenceofhistoriographyandromancetraditionintheplotaboutthelastvisigothickingrodrigo