Martine Beugnet, Allan Cameron and Arild Fetveit, eds., Indefinite Visions: Cinema and the Attractions of Uncertainty

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Bibliographic Details
Main Author: David Roche
Format: Article
Language:English
Published: Association Française d'Etudes Américaines 2019-04-01
Series:Transatlantica
Online Access:https://journals.openedition.org/transatlantica/10533
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author David Roche
author_facet David Roche
author_sort David Roche
collection DOAJ
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institution Kabale University
issn 1765-2766
language English
publishDate 2019-04-01
publisher Association Française d'Etudes Américaines
record_format Article
series Transatlantica
spelling doaj-art-00b3839dcb25483bac74eb3c01190f422025-01-30T10:45:28ZengAssociation Française d'Etudes AméricainesTransatlantica1765-27662019-04-01210.4000/transatlantica.10533Martine Beugnet, Allan Cameron and Arild Fetveit, eds., Indefinite Visions: Cinema and the Attractions of UncertaintyDavid Rochehttps://journals.openedition.org/transatlantica/10533
spellingShingle David Roche
Martine Beugnet, Allan Cameron and Arild Fetveit, eds., Indefinite Visions: Cinema and the Attractions of Uncertainty
Transatlantica
title Martine Beugnet, Allan Cameron and Arild Fetveit, eds., Indefinite Visions: Cinema and the Attractions of Uncertainty
title_full Martine Beugnet, Allan Cameron and Arild Fetveit, eds., Indefinite Visions: Cinema and the Attractions of Uncertainty
title_fullStr Martine Beugnet, Allan Cameron and Arild Fetveit, eds., Indefinite Visions: Cinema and the Attractions of Uncertainty
title_full_unstemmed Martine Beugnet, Allan Cameron and Arild Fetveit, eds., Indefinite Visions: Cinema and the Attractions of Uncertainty
title_short Martine Beugnet, Allan Cameron and Arild Fetveit, eds., Indefinite Visions: Cinema and the Attractions of Uncertainty
title_sort martine beugnet allan cameron and arild fetveit eds indefinite visions cinema and the attractions of uncertainty
url https://journals.openedition.org/transatlantica/10533
work_keys_str_mv AT davidroche martinebeugnetallancameronandarildfetveitedsindefinitevisionscinemaandtheattractionsofuncertainty