Artistic Peculiarities of Mikhail Volkov’s Collection “Tales of Antrop from Fox Hills” by O. Yu. Osmukhina

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“Nordic (Scandinavian) Noir” vs Scandinavian Detective: a Debatable Aspect of Study by O. Yu. Osmukhina

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Ballad in Modern Russian Poetry: Ways and Nature of Genre Form Transformation by O. Yu. Osmukhina, S. P. Gudkova

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Concept of Path in Novels “The Way of Muri” by Ilya Boyashov and “Chronicles of a Stray Cat” by Hiro Arikawa by O. Yu. Osmukhina, O. S. Sukhikh

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Little-Known Page of Co-Creation of Ch. Dickens and W. Collins: Novel “No Exit” by O. Yu. Osmukhina, A. B. Tanaseichuk

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Genetic Origins of Bildungsroman in Socialist Realism Literature: “Figure Novel” of N.G. Chernyshevsky’s “What Is to Be Done?” by O. Yu. Osmukhina, E. P. Ovsyannikova

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Trickster “Tipsy Lady” in Folklore of Taxi Drivers by M. A. Trostina, O. Yu. Osmukhina

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Concept of HORROR in Prose of Silver Age (“Vampiric” Stories of A. Amphiteatrov) by O. Yu. Osmukhina, N. M. Mironov

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Ambrose Bierce Disappearance: Unknown Page of Writer’s Biography by O. Yu. Osmukhina, A. B. Tanaseychuk

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Novel ‘Tashkent — the Bread City’ by Alexander Neverov in Context of Russian Prose about Homeless Children in 1920s by O. Yu. Osmukhina, N. V. Chekasheva

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Specifics of Bildungsroman Structure in Protocanon Phase of Socialist Realism by O. Yu. Osmukhina, E. P. Ovsyannikova

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Problem of Periodization and Some Aspects of the Late Work of F. Bret Hart by A. B. Tanaseichuk, O. Yu. Osmukhina

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Specifics of Off-Stage Space in Drama of D. Lipskerov by O. Yu. Osmukhina, I. R. Kuryaev

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Christian Context of Historical Novel (Zakhar Prilepin’s “Abode”) by O. Yu. Osmukhina, A. D. Karpov, E. A. Beloglazova

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