Alan Bush

From a prosperous middle-class background, Bush enjoyed considerable success as a student at the Royal Academy of Music (RAM) in the early 1920s and spent much of the decade furthering his compositional and piano-playing skills under distinguished tutors. A two-year period in Berlin from 1929 to 1931, early in the Nazi Party's rise to power, cemented Bush's political convictions and moved him from the mainstream Labour Party to the Communist Party of Great Britain, which he joined in 1935. He wrote several large-scale works in the 1930s and was heavily involved with workers' choirs, for whom he composed pageants, choruses and songs. His pro-Soviet stance led to the BBC temporarily banning his music in the early years of the Second World War, and his refusal to modify his position in the postwar Cold War era led to a more prolonged semi-ostracism of his music. As a result, the four major operas he wrote between 1950 and 1970 were all premiered in East Germany.
In his prewar works, Bush's style was influenced by the avant-garde European idioms of the inter-war years. He began to simplify his style during and after the war, in line with his Marxism-inspired belief that music should be accessible to the masses. Despite the difficulties he encountered in getting his works performed in the West, he continued to compose until well into his eighties. He taught composition at the RAM for more than 50 years, published two books, was the founder and long-time president of the Workers' Music Association, and served as chairman and later vice-president of the Composers' Guild of Great Britain. His contribution to musical life began to be recognised towards the end of his life, in the form of doctorates from two universities and numerous tribute concerts. Since his death in 1995, aged 94, his musical legacy has been nurtured by the Alan Bush Music Trust, established in 1997. Provided by Wikipedia