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1
Michael J. Hatch, Networks of Touch. A Tactile History of Chinese Art, 1790–1840
Published 2024-12-01“…21: Inquiries into Art, History, and the Visual…”
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2
Luisa Elena Alcalá Donegani & Juan Luis González García (eds.), Spolia Sancta. Reliquias y arte entre el Viejo y el Nuevo Mundo
Published 2024-12-01“…21: Inquiries into Art, History, and the Visual…”
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3
Juliane von Fircks, Panni tartarici. Seidengewebe aus Asien im spätmittelalterlichen Europa
Published 2024-12-01“…21: Inquiries into Art, History, and the Visual…”
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4
Barbara Clausen, Babette Mangolte. Performance zwischen Aktion und Betrachtung
Published 2024-12-01“…21: Inquiries into Art, History, and the Visual…”
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5
Bye-Bye Benin Bronzes? On Provenance as Process and Restitution as Display in German Museums 2021 – Present
Published 2024-12-01“…21: Inquiries into Art, History, and the Visual…”
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6
Saskia C. Quené, Goldgrund und Perspektive. Fra Angelico im Glanz des Quattrocento
Published 2024-12-01“…21: Inquiries into Art, History, and the Visual…”
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7
Timing the Timeless
Published 2024-12-01“…21: Inquiries into Art, History, and the Visual…”
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8
Mikael Muehlbauer, Bastions of the Cross. Medieval Rock-Cut Cruciform Churches of Tigray, Ethiopia
Published 2024-12-01“…21: Inquiries into Art, History, and the Visual…”
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9
Archival Dossier
Published 2024-12-01“…21: Inquiries into Art, History, and the Visual…”
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10
From Field to Museum
Published 2024-12-01“…21: Inquiries into Art, History, and the Visual…”
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11
Stella Kramrisch, Sanskrit Texts and the Transcultural Project of Indic ‘Naturalism’
Published 2024-12-01“…21: Inquiries into Art, History, and the Visual…”
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12
Stella Kramrisch and the Transculturation of Art History
Published 2024-12-01“…21: Inquiries into Art, History, and the Visual…”
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13
Another Perspective as Symbolic Form
Published 2024-12-01“…21: Inquiries into Art, History, and the Visual…”
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14
Urte Krass, The Portuguese Restoration of 1640 and Its Global Visualization. Political Iconography and Transcultural Negotiation
Published 2024-12-01“…21: Inquiries into Art, History, and the Visual…”
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