Le monologue racinien ou l’impossible dialogue
In the majority of Racine’s plays, we find monologues, scenes where a character stands alone and talks to himself. It would be interesting to see to what extent we can talk alone, knowing that by definition, talking is meant for communicating. The character, probably unable to accept the fact of tal...
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| Format: | Article |
| Language: | fra |
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Université Abderrahmane Mira
2014-12-01
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| Series: | Multilinguales |
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| Online Access: | https://journals.openedition.org/multilinguales/1187 |
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| _version_ | 1846130714570915840 |
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| author | Christelle Stephan Hayek |
| author_facet | Christelle Stephan Hayek |
| author_sort | Christelle Stephan Hayek |
| collection | DOAJ |
| description | In the majority of Racine’s plays, we find monologues, scenes where a character stands alone and talks to himself. It would be interesting to see to what extent we can talk alone, knowing that by definition, talking is meant for communicating. The character, probably unable to accept the fact of talking alone, imagines real or imaginary addresses. The communication scheme is thus deviated from its initial characteristics and we notice a real play of personal pronouns designating various communication poles, swinging between a chameleon "I" and a volatile "you". |
| format | Article |
| id | doaj-art-43450efe7f604c04b3ef1faa91631659 |
| institution | Kabale University |
| issn | 2335-1535 2335-1853 |
| language | fra |
| publishDate | 2014-12-01 |
| publisher | Université Abderrahmane Mira |
| record_format | Article |
| series | Multilinguales |
| spelling | doaj-art-43450efe7f604c04b3ef1faa916316592024-12-09T16:08:48ZfraUniversité Abderrahmane MiraMultilinguales2335-15352335-18532014-12-014304910.4000/multilinguales.1187Le monologue racinien ou l’impossible dialogueChristelle Stephan HayekIn the majority of Racine’s plays, we find monologues, scenes where a character stands alone and talks to himself. It would be interesting to see to what extent we can talk alone, knowing that by definition, talking is meant for communicating. The character, probably unable to accept the fact of talking alone, imagines real or imaginary addresses. The communication scheme is thus deviated from its initial characteristics and we notice a real play of personal pronouns designating various communication poles, swinging between a chameleon "I" and a volatile "you".https://journals.openedition.org/multilinguales/1187monologuestylisticsdialogueRacine (Jean) |
| spellingShingle | Christelle Stephan Hayek Le monologue racinien ou l’impossible dialogue Multilinguales monologue stylistics dialogue Racine (Jean) |
| title | Le monologue racinien ou l’impossible dialogue |
| title_full | Le monologue racinien ou l’impossible dialogue |
| title_fullStr | Le monologue racinien ou l’impossible dialogue |
| title_full_unstemmed | Le monologue racinien ou l’impossible dialogue |
| title_short | Le monologue racinien ou l’impossible dialogue |
| title_sort | le monologue racinien ou l impossible dialogue |
| topic | monologue stylistics dialogue Racine (Jean) |
| url | https://journals.openedition.org/multilinguales/1187 |
| work_keys_str_mv | AT christellestephanhayek lemonologueracinienoulimpossibledialogue |