Cinematic Mythmaking in Andrey Zvyagintsev's The Return and The Banishment
Since his debut feature The Return (2003), Andrey Zvyagintsev's films have drawn focus from film critics and theorists seeking to investigate a contextual analysis or the director's religious allusions. Hailed as the New Tarkovsky by some, a western-centric perspective has placed Zvyagints...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Edinburgh University Press
2025-02-01
|
| Series: | Film-Philosophy |
| Subjects: | |
| Online Access: | https://www.euppublishing.com/doi/10.3366/film.2025.0294 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|