Gestes et formes esthétiques désobéissants.

Initiated by an act of civil disobedience during October 2019, the estallido social chileno ("Chilean social explosion") quickly became a massive mobilization, interrupted in March 2020 by the measures restricting freedoms imposed by Sebastián Piñera's government to curb the Covid-19...

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Main Author: Mathieu Corp
Format: Article
Language:English
Published: TELEMME - UMR 6570 2024-04-01
Series:Amnis
Subjects:
Online Access:https://journals.openedition.org/amnis/8775
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author Mathieu Corp
author_facet Mathieu Corp
author_sort Mathieu Corp
collection DOAJ
description Initiated by an act of civil disobedience during October 2019, the estallido social chileno ("Chilean social explosion") quickly became a massive mobilization, interrupted in March 2020 by the measures restricting freedoms imposed by Sebastián Piñera's government to curb the Covid-19 pandemic. One of the singular features of this social mobilization is the diversity and recurrence of the gestures and interventions implemented in public space, sharing certain characteristics of so-called acts of civil disobedience and drawing on aesthetic and artistic resources: from iconoclastic gestures implemented on statues and monuments, to performances organized by various feminist collectives, to light projections by the Delight Lab collective. Heterogeneous in their forms, protagonists and functions – critical, prospective or interpellative – these interventions contributed to the spectacularization and mediatization of the social movement, feeding the dissensus from which it proceeded.
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institution Kabale University
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language English
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record_format Article
series Amnis
spelling doaj-art-14428b1fc00c47a4adf085c10ba681dd2025-01-09T16:30:26ZengTELEMME - UMR 6570Amnis1764-71932024-04-01310.4000/amnis.8775Gestes et formes esthétiques désobéissants.Mathieu CorpInitiated by an act of civil disobedience during October 2019, the estallido social chileno ("Chilean social explosion") quickly became a massive mobilization, interrupted in March 2020 by the measures restricting freedoms imposed by Sebastián Piñera's government to curb the Covid-19 pandemic. One of the singular features of this social mobilization is the diversity and recurrence of the gestures and interventions implemented in public space, sharing certain characteristics of so-called acts of civil disobedience and drawing on aesthetic and artistic resources: from iconoclastic gestures implemented on statues and monuments, to performances organized by various feminist collectives, to light projections by the Delight Lab collective. Heterogeneous in their forms, protagonists and functions – critical, prospective or interpellative – these interventions contributed to the spectacularization and mediatization of the social movement, feeding the dissensus from which it proceeded.https://journals.openedition.org/amnis/8775Chile ; social movement ; civil disobedience ; iconoclastic gestures ; performances ; media coverage
spellingShingle Mathieu Corp
Gestes et formes esthétiques désobéissants.
Amnis
Chile ; social movement ; civil disobedience ; iconoclastic gestures ; performances ; media coverage
title Gestes et formes esthétiques désobéissants.
title_full Gestes et formes esthétiques désobéissants.
title_fullStr Gestes et formes esthétiques désobéissants.
title_full_unstemmed Gestes et formes esthétiques désobéissants.
title_short Gestes et formes esthétiques désobéissants.
title_sort gestes et formes esthetiques desobeissants
topic Chile ; social movement ; civil disobedience ; iconoclastic gestures ; performances ; media coverage
url https://journals.openedition.org/amnis/8775
work_keys_str_mv AT mathieucorp gestesetformesesthetiquesdesobeissants