Gestes et formes esthétiques désobéissants.
Initiated by an act of civil disobedience during October 2019, the estallido social chileno ("Chilean social explosion") quickly became a massive mobilization, interrupted in March 2020 by the measures restricting freedoms imposed by Sebastián Piñera's government to curb the Covid-19...
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| Format: | Article |
| Language: | English |
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TELEMME - UMR 6570
2024-04-01
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| Series: | Amnis |
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| Online Access: | https://journals.openedition.org/amnis/8775 |
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| author | Mathieu Corp |
| author_facet | Mathieu Corp |
| author_sort | Mathieu Corp |
| collection | DOAJ |
| description | Initiated by an act of civil disobedience during October 2019, the estallido social chileno ("Chilean social explosion") quickly became a massive mobilization, interrupted in March 2020 by the measures restricting freedoms imposed by Sebastián Piñera's government to curb the Covid-19 pandemic. One of the singular features of this social mobilization is the diversity and recurrence of the gestures and interventions implemented in public space, sharing certain characteristics of so-called acts of civil disobedience and drawing on aesthetic and artistic resources: from iconoclastic gestures implemented on statues and monuments, to performances organized by various feminist collectives, to light projections by the Delight Lab collective. Heterogeneous in their forms, protagonists and functions – critical, prospective or interpellative – these interventions contributed to the spectacularization and mediatization of the social movement, feeding the dissensus from which it proceeded. |
| format | Article |
| id | doaj-art-14428b1fc00c47a4adf085c10ba681dd |
| institution | Kabale University |
| issn | 1764-7193 |
| language | English |
| publishDate | 2024-04-01 |
| publisher | TELEMME - UMR 6570 |
| record_format | Article |
| series | Amnis |
| spelling | doaj-art-14428b1fc00c47a4adf085c10ba681dd2025-01-09T16:30:26ZengTELEMME - UMR 6570Amnis1764-71932024-04-01310.4000/amnis.8775Gestes et formes esthétiques désobéissants.Mathieu CorpInitiated by an act of civil disobedience during October 2019, the estallido social chileno ("Chilean social explosion") quickly became a massive mobilization, interrupted in March 2020 by the measures restricting freedoms imposed by Sebastián Piñera's government to curb the Covid-19 pandemic. One of the singular features of this social mobilization is the diversity and recurrence of the gestures and interventions implemented in public space, sharing certain characteristics of so-called acts of civil disobedience and drawing on aesthetic and artistic resources: from iconoclastic gestures implemented on statues and monuments, to performances organized by various feminist collectives, to light projections by the Delight Lab collective. Heterogeneous in their forms, protagonists and functions – critical, prospective or interpellative – these interventions contributed to the spectacularization and mediatization of the social movement, feeding the dissensus from which it proceeded.https://journals.openedition.org/amnis/8775Chile ; social movement ; civil disobedience ; iconoclastic gestures ; performances ; media coverage |
| spellingShingle | Mathieu Corp Gestes et formes esthétiques désobéissants. Amnis Chile ; social movement ; civil disobedience ; iconoclastic gestures ; performances ; media coverage |
| title | Gestes et formes esthétiques désobéissants. |
| title_full | Gestes et formes esthétiques désobéissants. |
| title_fullStr | Gestes et formes esthétiques désobéissants. |
| title_full_unstemmed | Gestes et formes esthétiques désobéissants. |
| title_short | Gestes et formes esthétiques désobéissants. |
| title_sort | gestes et formes esthetiques desobeissants |
| topic | Chile ; social movement ; civil disobedience ; iconoclastic gestures ; performances ; media coverage |
| url | https://journals.openedition.org/amnis/8775 |
| work_keys_str_mv | AT mathieucorp gestesetformesesthetiquesdesobeissants |